Ray Donovan s07e08 Episode Script
Passport and a Gun
1 [RAY.]
Previously, on Ray Donovan [DARK MUSIC.]
- [ELECTRIC SIZZLE.]
- Aah! I taped every fuckin' thing Jimmy ever said to me.
[LIGHT CLATTERING.]
They're all dated.
[GUNSHOTS.]
- [MURMURS.]
What the - [SIRENS BLARING.]
Hands up! [PHONE RINGS.]
Fuck this.
[ENGINE REVVING.]
[TIRES SCREECHING.]
[WEEDS RUSTLE.]
I wanna run the company.
[SMALL LAUGH.]
No.
Your sister was my babysitter.
No, no, no, no, no! No! [JIM.]
You know, I've always liked Ray.
Creative with violence.
[UNEASY MUSIC.]
[MICKEY.]
I'll kill him, Ray.
I'll fuckin' kill him.
[JIM.]
Mick's your father, huh? That knife for him? [INTENSE MUSIC.]
[JIM.]
What have I got this afternoon? Cancel them both.
And get Miss Lee to come in at four.
Tell her I need a full Swedish.
I'm a fuckin' wreck.
And that, uh, that acupuncture, uh, guy what's his name? Yeah, him.
[BEEP.]
[SOFT MOAN.]
Ah [AMBIENT BACKGROUND NOISE.]
- [TRIGGER CLICKS.]
- Die, you motherfucker! - [GUNSHOTS.]
- [PEOPLE SCREAMING.]
- [ROBERTO.]
Get down! - Fucker! [COMMOTION.]
- [OVERLAPPING SHOUTING.]
- [ROBERTO GROANS.]
[SIREN APPROACHES.]
Fuckin' O'Malley.
[GRUNTS.]
- Piece a shit.
- [SIRENS GET CLOSER.]
[LIGHT CLATTERING.]
[SOFT CLATTERING.]
[MOLLY GROANS SOFTLY.]
[SIZZLING.]
[SCRAPING, CLATTERING.]
You sleep at all? [FOOD SIZZLING.]
[UTENSIL CLINKS.]
The first time I met your father, I was ten years old in a bar.
I was lookin' for my father.
I went in there with a uh with a kitchen knife, thinkin' I was gonna kill him.
Your father stopped me.
Sent me back home.
[PHONE RINGS.]
[RINGING.]
[RINGING.]
- [BEEP.]
- Hello? Oh, my God.
[TRAIN HORN BLOWS.]
[SUSPENSEFUL MUSIC.]
[PHONE RINGS.]
[SMALL LAUGH.]
[BEEP.]
Hey, you.
Hey, Jas, listen, I need you to bring me my passport, and then bring your passport.
- What? - And I need you to bring my gun.
What the fuck is goin' on, Daryll? - What's goin' on? - We got a broken main.
It's gonna be a while.
[TIRES SCREECHING.]
[PERCUSSIVE MUSIC.]
[INDISTINCT CHATTER.]
[DISTANT BOAT HORN BLARES.]
Smitty? [SMITTY INHALES.]
Oh! [LAUGHS.]
Hey, Ray.
Ya all right? Yeah, oh, I'm great.
I, uh, came in early.
I was gonna get a head start on, uh, some some work, you know.
- [MURMURS.]
All right.
- [CAR KEYS JINGLE.]
Why don't you go to the corner and get us a couple coffees.
Yeah, yeah, coff Ab-absolutely.
[CONSTRUCTION SOUNDS IN BACKGROUND.]
Hey, Ray, that, um, detective picked me up and she brought me in for questioning.
Yeah, I know.
Terry told me.
Yeah, well, it was just kinda more of the same showed me pictures of heads, went over the alibi.
- I didn't say anything different.
- All right.
Yeah.
I ju-just wanted you to know.
Okay.
Right, um coffee.
- [PHONE RINGS.]
- Aw, shit.
- I got it.
- No, I got it.
Good morning.
Ray Donovan's office.
Hey, it's a it's a collect call from a Manhattan detention complex.
Guy named Gary O'Malley? - Gary? - [GARY.]
Ray.
Aw, thank God.
- [BUZZER.]
- Listen, I need your help.
That fuck Jim Sullivan cocksucker thinks he can get away with murder.
Well, fuck that! What are you talkin' about, Gary? Fuckin' Sullivan! He fucking killed my father and Ronny! Gary, you got a lawyer? This ain't about goddamn lawyers.
It's about gettin' even with that piece of shit.
What makes you so sure it was Sullivan? 'Cause I got pictures of that fat little fuck.
At my brother's house.
- Pictures? - Just come down here.
[CLICK.]
[TENSE MUSIC.]
First you fuck over my brother, then you're literally fucking my sister.
Jesus Christ, Ray, what's that about? Can't find anybody better than Molly? What're you doin' here, Declan? My dad wants those stocks back.
Says your half-breed brother took 'em.
So take it up with him.
See, I was thinkin', you know, since he's your brother and all maybe you should be the one to do that.
Yeah? I mean, I could do it but, you know, might get messy.
You remember that time in sixth grade when I kicked the shit outta you? No, I don't.
Well, let me ask you somethin'.
Were you were you already suckin' Father O'Connor's dick at that point? One way or another, I'm gonna get back what's ours.
If you don't wanna help with Sammy Davis Donovan, I'll do it myself.
[UNEASY MUSIC.]
[PHONE RINGS.]
[RINGING.]
[BEEP.]
Yeah, Ray.
I need you to rent a car and go stake out Daryll's place.
- Fine.
- [CLICK.]
[BEEP.]
[BACKGROUND CHATTER.]
[MACHINERY BEEPING, PHONES RINGING.]
[SOFT WHIMPER.]
[FOOTSTEPS DEPARTING.]
I had an emerald necklace.
Wha w-w-what was that? An emerald necklace.
Been handed down mother to daughter in my family for three generations.
I promised it to my daughter.
Oh, that's, uh that's nice.
W w when I first went to the Center, we were told all jewelry and m-m-money We were told we had to hand them over to the shaman.
What? But when I called to get it back, they said they didn't have it, I must have misremembered.
I didn't misremember.
I didn't.
I gave it to them to keep.
They stole it from me.
Dolores, are you sure? I need you to get it back for me.
No, I Dolores, I-I can't just I Oh, please, I just wanna give it to my daughter before I die.
Ohh [UNSTEADY BREATHING.]
All right.
- It's all right.
- Ohh - [EXHALES.]
- It's all right.
[RAPID BREATHS.]
[GARY.]
He pulled my father outta his nursing home.
Ray, he fuckin' electrocuted him.
Then he went after Ronny.
He stabbed him to death.
All because of these fuckin' tapes! - [BUZZER.]
- [GARY SOBS.]
You know, you remember what a piece of shit that Jim Sullivan was when we was kids.
My father had to protect himself.
He recorded a bunch of his conversations with him.
Sullivan's the only one who woulda given a fuck about them tapes.
What'd you mean about there bein' pictures? Ronny rigged a surveillance camera.
He hid it above the safe.
It's gotta have pictures of that murderin' motherfucker.
All right.
I'll check it out.
[GARY.]
Thanks, Ray.
[SOFT ROCK PLAYS IN BACKGROUND.]
[OVERLAPPING CHATTER.]
[JIM CHUCKLES.]
See, that's what I call reliable.
[JIM.]
Like a Timex, this kid.
Why can't you clods be that reliable, huh? That's for you, Ray.
- Thanks, Mr.
Sullivan.
- You got it.
Ray.
When I first laid eyes on you, I said, "That kid's gonna make himself fuckin' useful one day.
" And ya did.
I was right.
One more thing I want ya to do.
You make it to school today? You know how important education is.
[LAUGHTER.]
Aw [JIM.]
And, um before ya leave Make sure he knows you speak for me.
[BABY CRYING.]
[CONTINUES POUNDING.]
Hey, what the fuck? - Are you Ricky Ronsen? - Who the hell are you? - [TV PLAYS IN BACKGROUND.]
- You owe Jim Sullivan $600.
[LAUGHS.]
So what? - I'm here to collect.
- No shit.
Should I go get it for ya? Yeah.
Fuck off.
Fuck! [DISTANT CAR HORN HONKING.]
[DOG BARKING.]
[TRAFFIC NOISES, DOG BARKING.]
What the fuck? You owe Jim Sullivan $600.
Tell Jim Sullivan he wants his money come back and ask for it himself.
Now get your ass outta here before I kick ya in the balls.
- Now.
- [INDISTINCT TV ANNOUNCER.]
Hey, what the fuck are you doin'? - [CRACK.]
- Aah! You gonna gimme the money? Fuck you! - [THUD.]
- Aah! Aah! - $600.
- [TV ANNOUNCER CONTINUES.]
[RICKY PANTING.]
It's all I got, I swear to God.
[RAY EXHALES.]
Wait maybe my brother'll come by with another hundred tomorrow.
[ANNOUNCER.]
Along the inside - This real? - 'Course it's fuckin' real.
What do ya think? [ANNOUNCER.]
As they head down the far side.
Mighty Bull and Captain Courageous opening up a three and a half lengths [DARK MUSIC.]
- [LINE RINGS.]
- [CLICK.]
- [BUNCHY.]
Hey, Ter.
- I need a ride.
I'm sorry.
I gotta do something for Ray.
Fuck that.
This is important.
- Ter - When have I ever asked you for anything, Bunch? I need a ride fuckin' upstate, and I need it now.
[KEYS JINGLING.]
[TENSE MUSIC.]
Hey, you need, uh, help with whatever it is that you're doin'? No.
I just thought that I could come with you - in case you needed me.
- I don't need you.
I-I-I could do stuff.
I could, you know, create a diversion, or I could go get coffee.
[SMITTY.]
I'm sure you're wondering why I slept at the office last night.
[INHALES.]
Well Bridget and me we're still on the outs.
I know that you think that I should just get over it, but You're an adult.
She's an adult.
You'll figure it out.
[INHALES, EXHALES.]
[SIGHS.]
I keep having dreams about those cops.
It's all just so clear and then it takes over.
I just I don't know where to put it all.
Do you still think about what we did? Get some sleep.
You need it.
[KNOCKS.]
- Hey.
- Hey.
I brought what you asked me for.
No, no, no, not not out here, inside.
Stay in the car.
[TENSE MUSIC.]
[DOG BARKS DISTANTLY.]
Oh Holy shit, that's a lotta blood.
Thought I told you to stay in the car.
Is this a crime scene? Think that Gary guy did this? Ah, fuck.
[SMITTY.]
Ah Wait is that Daryll? You just erased all that? Let's go.
[TENSE MUSIC.]
Hey, that was pretty awesome.
You're very stealth.
Like a fuckin' ninja.
Wow.
This is nice.
Wait here.
Hey, Terry.
Fuck you.
Hey.
Hey.
Terry.
It's so nice to see you.
I come for Dolores's necklace.
- Excuse me? - You heard me.
I need the necklace.
This is something that transpired between myself and Dolores, something she gave up freely and generously to rid herself of negative energy and to benefit the Center.
I'm gonna ask you one more fuckin' time.
Terry, forget this false quest and let me help you move through your own phases of mortality.
Don't do this to yourself, Terr [GRUNTS.]
- [BOTH GROANING, GRUNTING.]
- [TERRY.]
You fuck Ohh Aah! [CLATTERING.]
- [SHAMAN.]
Aah! - [TERRY.]
Fuck! - Now, where is it? - Uhh Where's the fuckin' necklace? I'd tell him where it is, I were you.
[SHAMAN.]
Up there! Box on the top shelf! Bunch.
Holy shit.
- Which one? - [TERRY.]
The emerald.
Got it.
[SOFTLY.]
All right.
[UNEASY MUSIC.]
Can I ask you somethin'? Terry said that whatever happens between me and Bridget I can't leave the family 'cause we killed all those cops.
What? I-I think about it all the time.
Do you think about it? You think about what you did? I mean, just the sound of that fire poker goin' through that guy, I [SHAKY BREATHS.]
I-I-I can't get that outta my head.
Never done anything like that before.
And Daryll said that you went crazy on that cop.
He said that you shot him like 20 times.
I shot him, he's dead.
What's the difference? [SMITTY.]
You don't feel bad? You don't feel bad for the families? No, I don't feel bad.
He got what he deserved.
[SMITTY.]
Yeah.
I don't feel bad either.
That cop was gonna kill Aunt Sandy.
I did what I had to do too.
This is not automatic.
- What? - Just so you know.
- What you talkin' 'bout? - I don't date thugs.
I ain't no thug.
[DEEP VOICE.]
"Bring me my passport and my gun.
" I didn't sound like that.
[POUNDING ON DOOR.]
[DECLAN.]
Daryll Donovan.
You in there? It's Declan Sullivan.
I know you're in there.
[WHISPERS.]
Hide, hide.
- [DARYLL.]
What you want? - Wanna make a deal.
What kinda deal? You got somethin' that I want back, that's all.
I'm prepared to pay to get it cash, today.
How much we talkin'? Two million.
Come in.
It's not as simple as you think, transferring those stocks to cash.
If you don't have any experience with this type o' thing, it's very easy to get caught.
Very easy.
This way, two million in cash bird in the hand.
It's cash.
All right.
Gotta give me about an hour though.
All right.
And you know, call me when you're ready.
[BUZZER.]
[METALLIC CLANG.]
[BACKGROUND CHATTER.]
So did you find it? - Yeah.
- And? Nothin'.
What do ya mean, nothin'? I dunno.
Wasn't workin'.
Looks like it hadn't been workin' for a while.
What the fuck? It was workin' last time I checked.
[BUZZER.]
I don't know what to tell ya, Gary.
[EXHALES.]
Fuck Look I'm gonna I'm gonna call a lawyer right now, we'll see if he can help ya out here.
Are you still workin' for that piece a shit? What? Sullivan! Are you still in his fuckin' pocket? Look, Gary, I'm sorry for you After everything he did to your family? To your wife and to your sister? What are you talkin' about? Fuck you, Ray.
You go ask that motherfuckin' subhuman yourself.
Guard! [HEAVY MUSIC.]
- [BUZZER.]
- All right.
Let's go.
[PHONE RINGS.]
- Hi.
- [RAY.]
Hey.
Hey, where are you? I wanted to ask you about those tapes.
Yeah? Is there anything in there from the fall of '87? Around the time Bridget passed? Um I can check.
Think you can get 'em to me? Why? Are you okay? Yeah.
I'll call ya later.
[PHONE BEEPS.]
[DOG BARKING DISTANTLY.]
It's Ray.
[JIM.]
Come on in, Ray.
[ANNOUNCER.]
And McKinley, the Pro Bowl defensive tackle That, uh, degenerate Ronsen give you any problems? - [CROWD CHEERING ON TV.]
- Gave me this.
- That real? - Yeah.
Ha ha ha.
Oh [ANNOUNCER CONTINUES IN BACKGROUND.]
Hand-off to Jackson, up the middle for a no gain.
Second and ten from the 25.
That's really poor execution there that time by the offense.
[ANNOUNCERS CONTINUE INDISTINCTLY.]
Yastrzemski.
That's worth more than 600 bucks.
[ANNOUNCER CONTINUES IN BACKGROUND.]
That's for you.
No, I'm all right.
What, you don't like dogs? You want a drink? Sure.
[ANNOUNCER.]
Cortez, who was almost immediately taken down by the defense [CROWD CHEERING.]
Sláinte.
Ahh.
You're a good kid, Ray.
Look, I know you had a rough life.
I know.
You need anything, anything at all, you come see me.
Yeah? [CHUCKLING.]
[GRUNTS.]
Uhh! - [DARYLL.]
I'm thinkin' - What you thinkin'? There's this island on Galapagos, right? - Mmm.
- And like they have these birds that you can just pull off the branch.
So there's not there's no predators out there, so they don't know what it's like to be scared.
- Like, fear is not in their vocabulary.
- Wow.
So I'm figurin' we get a one-way ticket.
- One way? - Yeah.
- What? - To Antigua or the Caribbean.
- One way? - See the sunset, yes, around All right, here we go.
What's up, fellas? Ha.
The fuck? Where's the re Sorry cash flow's a little tight right now.
Hand over the stocks.
[HEAVY MUSIC.]
Jasmine, pop the trunk.
Shit, get Yo, get in the car! Get in the car! - [GROANS.]
Aah - [ENGINE STARTS.]
[TIRES SCREECHING.]
Holy shit! [GUNSHOTS.]
Goddamn - [GUNSHOT.]
- Oh, shit! Jas! Oh, fu [SOBS.]
Fuck! [VEHICLE APPROACHES.]
[BRIDGET.]
Ray, what are you doin' here? - Nothin'.
- What is that? [BRIDGET LAUGHS LIGHTLY.]
Cute.
- [MOLLY.]
Bridget! - [GARY.]
Hi, Ray.
- Hi, Gary.
- [BRIDGET.]
Hi, Molly! Ready to make pies? We got a ton of limes! You want me to pick you up later? Nah.
Mr.
Sullivan'll give me a ride.
- Come on! - Okay.
[GROANS.]
[RAY.]
Good night.
[BRIDGET.]
Good night.
What happened to you? This? You workin' for him now? Me? Jesus, Ray.
Seriously? [SIGHS.]
[SOFT SNORING.]
[SUSPENSEFUL MUSIC.]
[TAP.]
[STEADY BREATHING HITCHES.]
[TAP.]
[STEADY BREATHING CONTINUES.]
[INTENSE MUSIC.]
[EXHALES.]
[PHONE BEEPS.]
[LINE RINGING.]
- [CLICK.]
- This is Dr.
Arthur Amiot.
Please leave a detailed message, and I'll return your call as soon as possible.
[BEEP.]
[RAIN PATTERING.]
[DISTANT BOAT HORN BLOWS.]
Is it okay if I stay here again tonight? Sure.
[GLASS CLUNKS DOWN.]
Night.
'Kay, good night.
[UNSETTLING MUSIC.]
What's wrong? Take your shirt off.
[SOFTLY.]
Ray I didn't know what else to do.
That detective was gonna come after Bridget.
I didn't have any other option.
Take your fuckin' shirt off.
[BREATH HITCHES.]
[DARK MUSIC.]
I'm sorry.
[AGENT.]
All right, Mr.
Donovan, I need you to relax, okay? I need you to stop right there, okay? I said I need you to stop.
God damn it, I said sto [GRUNTS.]
Uhh [PERRY.]
On the ground.
I said get on the fucking ground.
Get on the fucking ground.
You wanna talk? Let's talk.
[UNEASY MUSIC.]
Previously, on Ray Donovan [DARK MUSIC.]
- [ELECTRIC SIZZLE.]
- Aah! I taped every fuckin' thing Jimmy ever said to me.
[LIGHT CLATTERING.]
They're all dated.
[GUNSHOTS.]
- [MURMURS.]
What the - [SIRENS BLARING.]
Hands up! [PHONE RINGS.]
Fuck this.
[ENGINE REVVING.]
[TIRES SCREECHING.]
[WEEDS RUSTLE.]
I wanna run the company.
[SMALL LAUGH.]
No.
Your sister was my babysitter.
No, no, no, no, no! No! [JIM.]
You know, I've always liked Ray.
Creative with violence.
[UNEASY MUSIC.]
[MICKEY.]
I'll kill him, Ray.
I'll fuckin' kill him.
[JIM.]
Mick's your father, huh? That knife for him? [INTENSE MUSIC.]
[JIM.]
What have I got this afternoon? Cancel them both.
And get Miss Lee to come in at four.
Tell her I need a full Swedish.
I'm a fuckin' wreck.
And that, uh, that acupuncture, uh, guy what's his name? Yeah, him.
[BEEP.]
[SOFT MOAN.]
Ah [AMBIENT BACKGROUND NOISE.]
- [TRIGGER CLICKS.]
- Die, you motherfucker! - [GUNSHOTS.]
- [PEOPLE SCREAMING.]
- [ROBERTO.]
Get down! - Fucker! [COMMOTION.]
- [OVERLAPPING SHOUTING.]
- [ROBERTO GROANS.]
[SIREN APPROACHES.]
Fuckin' O'Malley.
[GRUNTS.]
- Piece a shit.
- [SIRENS GET CLOSER.]
[LIGHT CLATTERING.]
[SOFT CLATTERING.]
[MOLLY GROANS SOFTLY.]
[SIZZLING.]
[SCRAPING, CLATTERING.]
You sleep at all? [FOOD SIZZLING.]
[UTENSIL CLINKS.]
The first time I met your father, I was ten years old in a bar.
I was lookin' for my father.
I went in there with a uh with a kitchen knife, thinkin' I was gonna kill him.
Your father stopped me.
Sent me back home.
[PHONE RINGS.]
[RINGING.]
[RINGING.]
- [BEEP.]
- Hello? Oh, my God.
[TRAIN HORN BLOWS.]
[SUSPENSEFUL MUSIC.]
[PHONE RINGS.]
[SMALL LAUGH.]
[BEEP.]
Hey, you.
Hey, Jas, listen, I need you to bring me my passport, and then bring your passport.
- What? - And I need you to bring my gun.
What the fuck is goin' on, Daryll? - What's goin' on? - We got a broken main.
It's gonna be a while.
[TIRES SCREECHING.]
[PERCUSSIVE MUSIC.]
[INDISTINCT CHATTER.]
[DISTANT BOAT HORN BLARES.]
Smitty? [SMITTY INHALES.]
Oh! [LAUGHS.]
Hey, Ray.
Ya all right? Yeah, oh, I'm great.
I, uh, came in early.
I was gonna get a head start on, uh, some some work, you know.
- [MURMURS.]
All right.
- [CAR KEYS JINGLE.]
Why don't you go to the corner and get us a couple coffees.
Yeah, yeah, coff Ab-absolutely.
[CONSTRUCTION SOUNDS IN BACKGROUND.]
Hey, Ray, that, um, detective picked me up and she brought me in for questioning.
Yeah, I know.
Terry told me.
Yeah, well, it was just kinda more of the same showed me pictures of heads, went over the alibi.
- I didn't say anything different.
- All right.
Yeah.
I ju-just wanted you to know.
Okay.
Right, um coffee.
- [PHONE RINGS.]
- Aw, shit.
- I got it.
- No, I got it.
Good morning.
Ray Donovan's office.
Hey, it's a it's a collect call from a Manhattan detention complex.
Guy named Gary O'Malley? - Gary? - [GARY.]
Ray.
Aw, thank God.
- [BUZZER.]
- Listen, I need your help.
That fuck Jim Sullivan cocksucker thinks he can get away with murder.
Well, fuck that! What are you talkin' about, Gary? Fuckin' Sullivan! He fucking killed my father and Ronny! Gary, you got a lawyer? This ain't about goddamn lawyers.
It's about gettin' even with that piece of shit.
What makes you so sure it was Sullivan? 'Cause I got pictures of that fat little fuck.
At my brother's house.
- Pictures? - Just come down here.
[CLICK.]
[TENSE MUSIC.]
First you fuck over my brother, then you're literally fucking my sister.
Jesus Christ, Ray, what's that about? Can't find anybody better than Molly? What're you doin' here, Declan? My dad wants those stocks back.
Says your half-breed brother took 'em.
So take it up with him.
See, I was thinkin', you know, since he's your brother and all maybe you should be the one to do that.
Yeah? I mean, I could do it but, you know, might get messy.
You remember that time in sixth grade when I kicked the shit outta you? No, I don't.
Well, let me ask you somethin'.
Were you were you already suckin' Father O'Connor's dick at that point? One way or another, I'm gonna get back what's ours.
If you don't wanna help with Sammy Davis Donovan, I'll do it myself.
[UNEASY MUSIC.]
[PHONE RINGS.]
[RINGING.]
[BEEP.]
Yeah, Ray.
I need you to rent a car and go stake out Daryll's place.
- Fine.
- [CLICK.]
[BEEP.]
[BACKGROUND CHATTER.]
[MACHINERY BEEPING, PHONES RINGING.]
[SOFT WHIMPER.]
[FOOTSTEPS DEPARTING.]
I had an emerald necklace.
Wha w-w-what was that? An emerald necklace.
Been handed down mother to daughter in my family for three generations.
I promised it to my daughter.
Oh, that's, uh that's nice.
W w when I first went to the Center, we were told all jewelry and m-m-money We were told we had to hand them over to the shaman.
What? But when I called to get it back, they said they didn't have it, I must have misremembered.
I didn't misremember.
I didn't.
I gave it to them to keep.
They stole it from me.
Dolores, are you sure? I need you to get it back for me.
No, I Dolores, I-I can't just I Oh, please, I just wanna give it to my daughter before I die.
Ohh [UNSTEADY BREATHING.]
All right.
- It's all right.
- Ohh - [EXHALES.]
- It's all right.
[RAPID BREATHS.]
[GARY.]
He pulled my father outta his nursing home.
Ray, he fuckin' electrocuted him.
Then he went after Ronny.
He stabbed him to death.
All because of these fuckin' tapes! - [BUZZER.]
- [GARY SOBS.]
You know, you remember what a piece of shit that Jim Sullivan was when we was kids.
My father had to protect himself.
He recorded a bunch of his conversations with him.
Sullivan's the only one who woulda given a fuck about them tapes.
What'd you mean about there bein' pictures? Ronny rigged a surveillance camera.
He hid it above the safe.
It's gotta have pictures of that murderin' motherfucker.
All right.
I'll check it out.
[GARY.]
Thanks, Ray.
[SOFT ROCK PLAYS IN BACKGROUND.]
[OVERLAPPING CHATTER.]
[JIM CHUCKLES.]
See, that's what I call reliable.
[JIM.]
Like a Timex, this kid.
Why can't you clods be that reliable, huh? That's for you, Ray.
- Thanks, Mr.
Sullivan.
- You got it.
Ray.
When I first laid eyes on you, I said, "That kid's gonna make himself fuckin' useful one day.
" And ya did.
I was right.
One more thing I want ya to do.
You make it to school today? You know how important education is.
[LAUGHTER.]
Aw [JIM.]
And, um before ya leave Make sure he knows you speak for me.
[BABY CRYING.]
[CONTINUES POUNDING.]
Hey, what the fuck? - Are you Ricky Ronsen? - Who the hell are you? - [TV PLAYS IN BACKGROUND.]
- You owe Jim Sullivan $600.
[LAUGHS.]
So what? - I'm here to collect.
- No shit.
Should I go get it for ya? Yeah.
Fuck off.
Fuck! [DISTANT CAR HORN HONKING.]
[DOG BARKING.]
[TRAFFIC NOISES, DOG BARKING.]
What the fuck? You owe Jim Sullivan $600.
Tell Jim Sullivan he wants his money come back and ask for it himself.
Now get your ass outta here before I kick ya in the balls.
- Now.
- [INDISTINCT TV ANNOUNCER.]
Hey, what the fuck are you doin'? - [CRACK.]
- Aah! You gonna gimme the money? Fuck you! - [THUD.]
- Aah! Aah! - $600.
- [TV ANNOUNCER CONTINUES.]
[RICKY PANTING.]
It's all I got, I swear to God.
[RAY EXHALES.]
Wait maybe my brother'll come by with another hundred tomorrow.
[ANNOUNCER.]
Along the inside - This real? - 'Course it's fuckin' real.
What do ya think? [ANNOUNCER.]
As they head down the far side.
Mighty Bull and Captain Courageous opening up a three and a half lengths [DARK MUSIC.]
- [LINE RINGS.]
- [CLICK.]
- [BUNCHY.]
Hey, Ter.
- I need a ride.
I'm sorry.
I gotta do something for Ray.
Fuck that.
This is important.
- Ter - When have I ever asked you for anything, Bunch? I need a ride fuckin' upstate, and I need it now.
[KEYS JINGLING.]
[TENSE MUSIC.]
Hey, you need, uh, help with whatever it is that you're doin'? No.
I just thought that I could come with you - in case you needed me.
- I don't need you.
I-I-I could do stuff.
I could, you know, create a diversion, or I could go get coffee.
[SMITTY.]
I'm sure you're wondering why I slept at the office last night.
[INHALES.]
Well Bridget and me we're still on the outs.
I know that you think that I should just get over it, but You're an adult.
She's an adult.
You'll figure it out.
[INHALES, EXHALES.]
[SIGHS.]
I keep having dreams about those cops.
It's all just so clear and then it takes over.
I just I don't know where to put it all.
Do you still think about what we did? Get some sleep.
You need it.
[KNOCKS.]
- Hey.
- Hey.
I brought what you asked me for.
No, no, no, not not out here, inside.
Stay in the car.
[TENSE MUSIC.]
[DOG BARKS DISTANTLY.]
Oh Holy shit, that's a lotta blood.
Thought I told you to stay in the car.
Is this a crime scene? Think that Gary guy did this? Ah, fuck.
[SMITTY.]
Ah Wait is that Daryll? You just erased all that? Let's go.
[TENSE MUSIC.]
Hey, that was pretty awesome.
You're very stealth.
Like a fuckin' ninja.
Wow.
This is nice.
Wait here.
Hey, Terry.
Fuck you.
Hey.
Hey.
Terry.
It's so nice to see you.
I come for Dolores's necklace.
- Excuse me? - You heard me.
I need the necklace.
This is something that transpired between myself and Dolores, something she gave up freely and generously to rid herself of negative energy and to benefit the Center.
I'm gonna ask you one more fuckin' time.
Terry, forget this false quest and let me help you move through your own phases of mortality.
Don't do this to yourself, Terr [GRUNTS.]
- [BOTH GROANING, GRUNTING.]
- [TERRY.]
You fuck Ohh Aah! [CLATTERING.]
- [SHAMAN.]
Aah! - [TERRY.]
Fuck! - Now, where is it? - Uhh Where's the fuckin' necklace? I'd tell him where it is, I were you.
[SHAMAN.]
Up there! Box on the top shelf! Bunch.
Holy shit.
- Which one? - [TERRY.]
The emerald.
Got it.
[SOFTLY.]
All right.
[UNEASY MUSIC.]
Can I ask you somethin'? Terry said that whatever happens between me and Bridget I can't leave the family 'cause we killed all those cops.
What? I-I think about it all the time.
Do you think about it? You think about what you did? I mean, just the sound of that fire poker goin' through that guy, I [SHAKY BREATHS.]
I-I-I can't get that outta my head.
Never done anything like that before.
And Daryll said that you went crazy on that cop.
He said that you shot him like 20 times.
I shot him, he's dead.
What's the difference? [SMITTY.]
You don't feel bad? You don't feel bad for the families? No, I don't feel bad.
He got what he deserved.
[SMITTY.]
Yeah.
I don't feel bad either.
That cop was gonna kill Aunt Sandy.
I did what I had to do too.
This is not automatic.
- What? - Just so you know.
- What you talkin' 'bout? - I don't date thugs.
I ain't no thug.
[DEEP VOICE.]
"Bring me my passport and my gun.
" I didn't sound like that.
[POUNDING ON DOOR.]
[DECLAN.]
Daryll Donovan.
You in there? It's Declan Sullivan.
I know you're in there.
[WHISPERS.]
Hide, hide.
- [DARYLL.]
What you want? - Wanna make a deal.
What kinda deal? You got somethin' that I want back, that's all.
I'm prepared to pay to get it cash, today.
How much we talkin'? Two million.
Come in.
It's not as simple as you think, transferring those stocks to cash.
If you don't have any experience with this type o' thing, it's very easy to get caught.
Very easy.
This way, two million in cash bird in the hand.
It's cash.
All right.
Gotta give me about an hour though.
All right.
And you know, call me when you're ready.
[BUZZER.]
[METALLIC CLANG.]
[BACKGROUND CHATTER.]
So did you find it? - Yeah.
- And? Nothin'.
What do ya mean, nothin'? I dunno.
Wasn't workin'.
Looks like it hadn't been workin' for a while.
What the fuck? It was workin' last time I checked.
[BUZZER.]
I don't know what to tell ya, Gary.
[EXHALES.]
Fuck Look I'm gonna I'm gonna call a lawyer right now, we'll see if he can help ya out here.
Are you still workin' for that piece a shit? What? Sullivan! Are you still in his fuckin' pocket? Look, Gary, I'm sorry for you After everything he did to your family? To your wife and to your sister? What are you talkin' about? Fuck you, Ray.
You go ask that motherfuckin' subhuman yourself.
Guard! [HEAVY MUSIC.]
- [BUZZER.]
- All right.
Let's go.
[PHONE RINGS.]
- Hi.
- [RAY.]
Hey.
Hey, where are you? I wanted to ask you about those tapes.
Yeah? Is there anything in there from the fall of '87? Around the time Bridget passed? Um I can check.
Think you can get 'em to me? Why? Are you okay? Yeah.
I'll call ya later.
[PHONE BEEPS.]
[DOG BARKING DISTANTLY.]
It's Ray.
[JIM.]
Come on in, Ray.
[ANNOUNCER.]
And McKinley, the Pro Bowl defensive tackle That, uh, degenerate Ronsen give you any problems? - [CROWD CHEERING ON TV.]
- Gave me this.
- That real? - Yeah.
Ha ha ha.
Oh [ANNOUNCER CONTINUES IN BACKGROUND.]
Hand-off to Jackson, up the middle for a no gain.
Second and ten from the 25.
That's really poor execution there that time by the offense.
[ANNOUNCERS CONTINUE INDISTINCTLY.]
Yastrzemski.
That's worth more than 600 bucks.
[ANNOUNCER CONTINUES IN BACKGROUND.]
That's for you.
No, I'm all right.
What, you don't like dogs? You want a drink? Sure.
[ANNOUNCER.]
Cortez, who was almost immediately taken down by the defense [CROWD CHEERING.]
Sláinte.
Ahh.
You're a good kid, Ray.
Look, I know you had a rough life.
I know.
You need anything, anything at all, you come see me.
Yeah? [CHUCKLING.]
[GRUNTS.]
Uhh! - [DARYLL.]
I'm thinkin' - What you thinkin'? There's this island on Galapagos, right? - Mmm.
- And like they have these birds that you can just pull off the branch.
So there's not there's no predators out there, so they don't know what it's like to be scared.
- Like, fear is not in their vocabulary.
- Wow.
So I'm figurin' we get a one-way ticket.
- One way? - Yeah.
- What? - To Antigua or the Caribbean.
- One way? - See the sunset, yes, around All right, here we go.
What's up, fellas? Ha.
The fuck? Where's the re Sorry cash flow's a little tight right now.
Hand over the stocks.
[HEAVY MUSIC.]
Jasmine, pop the trunk.
Shit, get Yo, get in the car! Get in the car! - [GROANS.]
Aah - [ENGINE STARTS.]
[TIRES SCREECHING.]
Holy shit! [GUNSHOTS.]
Goddamn - [GUNSHOT.]
- Oh, shit! Jas! Oh, fu [SOBS.]
Fuck! [VEHICLE APPROACHES.]
[BRIDGET.]
Ray, what are you doin' here? - Nothin'.
- What is that? [BRIDGET LAUGHS LIGHTLY.]
Cute.
- [MOLLY.]
Bridget! - [GARY.]
Hi, Ray.
- Hi, Gary.
- [BRIDGET.]
Hi, Molly! Ready to make pies? We got a ton of limes! You want me to pick you up later? Nah.
Mr.
Sullivan'll give me a ride.
- Come on! - Okay.
[GROANS.]
[RAY.]
Good night.
[BRIDGET.]
Good night.
What happened to you? This? You workin' for him now? Me? Jesus, Ray.
Seriously? [SIGHS.]
[SOFT SNORING.]
[SUSPENSEFUL MUSIC.]
[TAP.]
[STEADY BREATHING HITCHES.]
[TAP.]
[STEADY BREATHING CONTINUES.]
[INTENSE MUSIC.]
[EXHALES.]
[PHONE BEEPS.]
[LINE RINGING.]
- [CLICK.]
- This is Dr.
Arthur Amiot.
Please leave a detailed message, and I'll return your call as soon as possible.
[BEEP.]
[RAIN PATTERING.]
[DISTANT BOAT HORN BLOWS.]
Is it okay if I stay here again tonight? Sure.
[GLASS CLUNKS DOWN.]
Night.
'Kay, good night.
[UNSETTLING MUSIC.]
What's wrong? Take your shirt off.
[SOFTLY.]
Ray I didn't know what else to do.
That detective was gonna come after Bridget.
I didn't have any other option.
Take your fuckin' shirt off.
[BREATH HITCHES.]
[DARK MUSIC.]
I'm sorry.
[AGENT.]
All right, Mr.
Donovan, I need you to relax, okay? I need you to stop right there, okay? I said I need you to stop.
God damn it, I said sto [GRUNTS.]
Uhh [PERRY.]
On the ground.
I said get on the fucking ground.
Get on the fucking ground.
You wanna talk? Let's talk.
[UNEASY MUSIC.]