Face Off (2011) s07e10 Episode Script

You really knocked this one out of the park.
Somehow, it's just all gone a bit mimsy.
Previously on Face Off Dina's serpentine sniper - blew the judges away - Thank you.
And Keaghlan was sent home.
Now eight artists remain.
Tonight they will face their darkest fears.
This is going to give me nightmares.
I'm about to peel it off.
And for some, the challenge won't be a laughing matter.
I'm really not happy with it.
It doesn't feel like a solid vision.
In the end, only one will win a VIP trip from Kryolan Professional Make-Up to one of their a brand-new 2014 Fiat 500, and $100,000.
Welcome to Face Off.
Wake up, kiddies.
Wake up.
What is that? We're hearing laughter and some disembodied voice.
I don't even know what time it is.
Everyone's waking up, like, "What the hell is that?" Come on, kiddies, get dressed and make your way to the lab.
Don't worry.
There's nothing to be afraid of.
Oh, my God.
What just happened? We're all incredibly freaked out.
We have no idea what's happening.
I don't want to even leave my room, let alone go to the lab.
I can't even see the door.
Where am I going? What is that? Oh, no, no.
Oh.
We're half asleep, and we're walking around in a pitch-black lab.
I don't know what's coming.
I'm feeling around, in case I hit something or someone tries to attack.
Hello? Ooh, what's that? Oh.
I don't like this.
For your next spotlight challenge, you'll experience one of the most powerful human emotions.
It's what you're feeling right now Fear.
This is going to give me nightmares.
I didn't know McKenzie could be so terrifying.
While some fears evolve as you grow into adults, childhood fears, like being afraid of the dark, can last a lifetime.
This week, you're going to venture into the world of a character that is mostly regarded as good, but has also instilled fear in thousands of children and adults in films like Poltergeist, Saw, and Stephen King's It Clowns.
So your spotlight challenge is to create your very own evil-clown character.
This challenge is gonna be a lot of fun.
I'm really excited, because back home, I'm known for doing scary clowns.
And, of course, you know it won't be that simple.
Before this challenge, you were all given a survey with various questions, but one of them was about your own darkest, childhood fear.
Creepy.
George, you wrote "Worms.
" Dina, "Tornadoes.
" Cig, "Dark water.
" Damien, "Spiders.
" Sasha, "Old dolls.
" Drew, "Spiders.
" For Stella, it was "Monsters under the bed.
" And, Rachael, you said "Cockroaches.
" Yeah, I did.
You will each use your own childhood fear to inspire your evil-clown character.
Of course, there's just one more thing.
Your makeups will be applied on real clowns who will put your makeups to the test on the reveal stage, featuring a flurry of juggling, slapstick routines, - and unicycling.
- Sweet.
I want your designs to really capture your fears.
So I'm going to leave you here in the dark to work on them.
Good luck.
Oh, my God.
So let's go find our sketchbooks.
Over here? It's pitch-black in the room again, and we all feel around for our tablets and start sketching.
Sitting in the dark is really helping me channel my childhood fear, which is monsters under the bed that would reach up and grab me.
So my evil clown is dressed in these oversized pants made out of bedsheets, and he's gonna have all these hands coming out.
Spiders have always creeped me out.
I hate them.
I start designing a clown face that has spider eyes across the forehead, and the cranium comes back into this big arachnid butt that's basically an amalgamation of everything about spiders that used to terrify me as a kid.
So it's gonna look like a spider, but it's gonna have the color palette of a twisted clown.
I think he feels like something straight out of my own nightmares, and it's kind of cool.
So right now I'm kind of going with the idea that, like, my clown ate a bunch of spider eggs, and now he's got all these tiny spiders crawling out all over his face.
My childhood fear was that, you know, a spider could crawl into your mouth while you're sleeping and lay its eggs inside of you.
And then you have all these baby spiders hatching inside of your body.
So right away I really wanted to just get the gross-out, like, ugh factor, 'cause I hate little itty-bitty spiders.
So my childhood fear was tornadoes.
I don't know why.
I think maybe I watched too much Wizard Of Oz.
So I'm doing, like, a twisted face.
I'm, like, bringing it up into the hair, making the hair actually look like a tornado.
We'll see if I can pull it off.
It's gonna be a tough one.
The lights come back on.
We have six hours in lab today.
We pick our model, and it's time to start sculpting.
When I was a kid, my dad and I took a clown class.
I wasn't really the coolest kid, but I'm hoping that'll give me some kind of edge in this challenge.
I am really afraid of worms.
I feel like they're gonna burrow up into my shoes and get me.
So my character is gonna be a big, segmented worm head with a floppy stocking cap, and I would love to just cover this whole makeup in some super slime.
But if he's gonna be dancing around or juggling, it can't be slippery at all.
So I have to keep everything minimal.
Hey, Sasha.
Tell me why you're afraid of old dolls.
When I was little, I was scared of old dolls, but now I love old creepy dolls.
My grandmother has so many of them in her house, and I've always had a hard time sleeping at her house because of these dolls.
I decided I'm gonna take a different approach.
I'm not making a clown.
I'm gonna make a cracked doll that has clown makeup.
I know I'm taking a risk by not making a clown and going with the doll concept, but I like it, and I'm gonna make sure it looks good.
- Did you get a haircut, George? - No.
You look kind of different today.
I trimmed my beard a little.
- Is that what it is? - I think it is, yeah.
There's something different about you.
I knew it.
My childhood fear is cockroaches.
My concept is a cockroach hybrid who is pretending to be a clown.
I'm sculpting the face to look like the segments of a cockroach's body, but I also want to bring a little bit of a clown aspect to it, so I'm actually sculpting clown-like lips and a clown-like brow.
Cig, you have hydroskourophobia.
"One that is afraid of dark, murky water.
" I used to have these reoccurring nightmares where I would fall into this giant pool of, like, black, tarry water, and these, like, skeletal, creepy creatures would try to drag me under and eat me.
So I'm actually going to sculpt one of these creepy creatures that I used to see and turn it into a clown.
As I'm sculpting, I'm realizing that a lot of my stylistic choices come from these nightmares that I used to have as a kid, and I didn't realize it until this challenge.
It's like I learned something about myself.
Imagine that.
So this long nose, Cig, is gonna be a spider's leg, but there's gonna be, like, little hairs and stuff sticking out of it.
It's gonna be gross.
For my spidery clown face, I work out this weird structure for the nose, and then I figure out a really cool arrangement for the spider's eyes coming off the browridge.
And I really like the shapes and forms of the face, and I think that he's gonna look really cool.
I'm looking at my sculpture.
I got it almost ready to mold, and I realize that this character is just a bunch of blobs of clay.
It literally looks like poop.
For the first time, I'm seeing a makeup that could send me home.
There's eight really talented artists left, so there's no room for error.
I don't know if there's enough time to rip it all apart and start all over, but I really don't have a choice.
Coming up - I think it's a stretch.
- Yeah.
It's hard to do a good makeup when your heart's just not in it.
- It's horrific.
- I love it.
It just left me a bit confused.
So it's day one of the evil-clown challenge, and I'm really, really unhappy with how the sculpture's coming out.
It looks just like my sketch, but this is bad enough to send me home.
My best option is just to tear all that clay off and start fresh.
So you took the whole face off.
It just wasn't looking right.
The thing was, like, two inches thick in some spots.
That's a mask.
That's not a makeup.
Even though I'll be behind, it's the best option.
But now I need to figure out a much better concept very quickly.
Isn't the rule for the monster if you have your feet under your covers, you're fine? My mother tucked me in like a mummy every night so the hands couldn't get me.
The clown is gonna be made up of things that you would find under the bed, like lost toys.
So I'm going to take this bouncy ball that I found and use it as the clown's chin.
I come up with this concept of a serial-killer clown whose essence possessed all these worms, and now, they have reformed into a killer worm clown man.
I wasted a few hours, so I'm gonna have to bust my ass to finish this.
Hello, guys.
- Hey.
- Here to check in.
Mine was dark water.
It's gonna be really wet, and I'm gonna use the Kryolan aqua colors and actually paint the clown makeup and then use a spritzer bottle and then melt it off.
I'd suggest doing some tests on it first - Yeah.
- Because if it doesn't work, - it's gonna be hard to go back.
- Mm-hmm.
She's gonna have these cracks all over her, and I want it painted like a porcelain doll.
You might age it a little teeny bit of brown, yeah, because if you paint it pure white, it's gonna look like it's brand-new.
Okay.
Tornadoes were my fear.
His hair was gonna actually be the tornado, and it's kind of pulling his skin up into it.
It's a different thought.
It's not one that I would think of.
- I think it's a stretch.
- Yeah.
Mr.
Westmore's not completely comfortable with my concept.
It's not helping with my confidence.
Make sure it tells the story right away of what you're doing.
I'm focusing on all of the things about spiders that scare me.
So he has six eyes instead of two now.
This is actually going to transform into a spider's leg.
There's so much spider you have coming out.
Be careful with the paint job-- that it isn't too bright.
All right, everybody.
We're heading out.
- Bye-bye.
- See you.
Bye.
I don't have very many references for cracks for my doll's head, so I am just taking pictures of the cracks in the pavement.
I want to make every little detail perfect because I want to prove to the judges that they saved me for a reason.
You son of a bitch.
- What? - Are you molding already? Yeah.
I got a lot of spiders to make.
It feels really good being the first one in the mold room, but it also makes me second-guess myself.
Did I go too simplistic? Everybody else is spending a lot more time on their sculptures, but I'm just gonna focus on putting on a really clean makeup.
Hopefully, that's gonna do the trick.
Ten minutes, guys.
I know it's boring.
I'm still a little worried about my concept.
It's hard to do a good makeup when your heart's just not in it.
That's time, guys.
I'm feeling a lot of pressure to tweak my concept.
I have no idea what I'm gonna do, but hopefully I can figure it out before tomorrow.
So it's day two of the evil-clown challenge, and I have a ton of work to do.
Originally, I designed this giant spider butt for the back of the head, but I realized that our makeups have to withstand a professional acrobatic performance, and that giant spider butt's probably gonna be in the way.
So I shrink it down quite a bit.
Hopefully, it works.
I have a big chest cavity I need to sculpt, two big arm cavities, and lots of little baby cavities to really complete the idea that these spiders are just eating him from within and not just coming out of his face.
Last night I was thinking that I need have a little more fun with this design.
So my new concept is the clown got stuck outside at a birthday party during a tornado and impaled with birthday-party debris.
I definitely feel a lot better about my concept now.
It tells a story, so I'm excited.
George thinks that it would be really comfy to wear shorty-ass shorts, shorter than any man should ever wear.
You're distracting me.
I didn't have a whole lot of fun in the lab yesterday, and I wanted to get some fun going, and I wanted everyone to look at my legs.
I could feel the eyes on me all day.
I mean, it's hard not to look at perfection.
George, you want to grease up your arms? Sure.
Stella's been staring at my awesome thighs all day, so she wants to see if I got awesome arms as well, which I do.
My evil clown needs to have arms coming out of his body, so I have George put his hands in alginate arm molds.
It's not as nice as my thighs, but I do have good arms.
Algin is basically made out of seaweed.
It's what they put in your mouth when you go to the dentist and get your mouth molded.
Awesome.
Once it's set up, I can pour poly foam into the mold so that I can make as many arms as I need to.
Do a quick test.
I need a hell of a lot of spiders 'cause there are gonna be a bunch of them crawling out all over his face.
My first idea is to dab a bead of hot glue and pick each little leg out with a little string.
Not working.
So I tried sticking little bits of wire in it.
Use this.
Then I would try to thread some wire into some beads, but the legs aren't staying where I want them to stay.
Ay-yi-yi-yi-yi.
I'm getting really frustrated that I can't figure out a way to make these damn spiders.
My character is a spider clown.
If I send him out there without any spiders, I know that I'm gonna be going home.
I tried, like, I'm about to fucking give up.
So it's day two of our evil-clown challenge, and I want to put these nasty, rotted baby spiders crawling all over him, but I'm getting really frustrated that I can't figure out a way to make these damn spiders.
I tried, like, I'm about to give up.
If I send him out there without any spiders on, I know that I'm gonna be going home.
I hope this works.
I finally start taking four pieces of wire and then taking a little string of duct tape and wrapping it around the center and then just bending and posing the leg.
I spray 'em black.
Clear coat 'em so they're nice and shiny and gross-looking.
They look really good.
I remember being creeped out by the heads of the dolls.
Their hair-- it almost looked like bad hair plugs.
So I start punching hair through a cowl and make this really creepy wig that just looks like the doll's head.
Are you gonna see an edge of this in the front? No, because the face covers it.
I'm totally happy with it.
- That's cool.
- Thanks.
Since I'm only doing a face and a cowl, for my evil clown, the paint job has got to be really good.
So it's really important that I test this out.
I get a premade appliance, and then I paint the aqua colors over the top.
And I hold it up, and I spritz it with a water bottle.
That works.
It looks all drippy and gross.
It runs through the cracks.
So I'm actually really excited about application day.
I want to make giant worm arms by tying thread around a soft foam and covering it with silicone.
If I cover it in silicone, I'll get the sheen and the glossiness of a worm without having to make my performer all slimy.
It can't be slippery at all.
It could ruin the whole performance.
Oh, my gosh.
That's disgusting.
Hey, guys, one hour left.
I start fabricating antennae for my creepy cockroach.
I'm using foam tube and armature wire so I can bend them back and make sure that they won't interfere with the performance.
It's looking really cool.
I'm really excited to put this on my model.
That's time, guys! It's the end of day two, and I am happy with everything I've done.
I think it incorporates my childhood fear and the clown element, but I was in the bottom for the last three weeks, and I'm really hoping that it comes together nicely on application day.
It's application day, and we have four hours in lab and one hour in last looks, and my foam looks great.
- That's some good foam.
- That's some good foam.
All my edges are paper thin.
- It's great.
- Some good seaming.
Yeah.
Those pants are ridiculous.
Oh, I hope she can dance in that.
Clowns.
Hi.
I'm Rachael.
Nice to meet you.
- I'm Damien.
- Demetrius.
Demetrius, nice to meet you.
- No problems? - No, I don't think so.
Okay.
I want to try these worm arms on you.
These guys-- they're not our regular models.
They're used to just being silly.
And I notice as soon as they get into the lab, the whole atmosphere is just lifted 'cause these guys are so much fun.
So perfect.
You think you'll be able to juggle in those - with some white gloves on? - No problem.
Okay.
Cool.
I get the cowl on, and I notice that there's a little bit of space in the back of the head, and it kind of wobbles a little bit.
Does it feel okay? Everything comfortable? _ _ _ If she's doing flips and jumping around and dancing, the wobble could potentially tear the whole makeup off.
So I stuff the back so it fits a little bit more snugly and it's not wobbling around so much, and hopefully it'll work in my favor.
Can you move your head and everything? - Yeah.
- Cool.
The pieces are fitting together really nicely except the neck isn't hitting his actual anatomy all that well.
So I get it to stretch across in a decent-enough way so that it looks pretty good.
Try not to move your neck too much.
I want to create muscle and the skin flap and, like, the inside of his skull.
So I use Kryolan Artex, which is a two-part, like, on-skin silicone.
And I sculpt some lines into it and try to make it look like muscle.
It's actually looking pretty cool.
Shit.
It's just not wanting to stay.
I'm having a lot trouble with his chin area.
His edges around his mouth are starting to break down again, and I just don't know what it is that's causing these problems.
Here, I'll show you where it's coming off at.
I still have to do all this paint work and glue on, like, 150 spiders, so I'm really starting to freak out.
It's that mouth for some reason.
I don't know why.
Hey, guys.
Ten minutes left.
That's time, guys.
Once I kind of see it together, I notice that his arms and his face aren't the same color, and that's not good.
So now I have one hour to fix this.
I have to even up my paint job, and I still have to paint him to look like a clown.
This could get me in trouble.
Coming up I still got a lot shit to do.
I'm worried my clown is not "clown" enough.
Take it away, guys.
There's no words to describe it.
All right.
Awesome.
Let's just do the bench.
We have one hour at last looks, and my clown's mouth is falling off his face.
I grab some telesis and slather it on and hope that it's gonna stay down.
I got a lot shit to do.
It feels okay? All the painting's done, and now I start spritzing it with water to make it look runny.
I'm only gonna have one chance at this.
If it doesn't look right, I don't think I'm gonna have time to fix it.
I'm painting as fast as I can because his face is really red, and his arms are really purple.
So I need to even out the color of skin.
I am really nervous my clown is not "clown" enough.
I hope that I can pull it off with my paint job because everyone else's looks pretty clown-y.
I'm running out of time, so I need to finish the makeup around the eyes and the mouth, and I'm also worried that that big hair is gonna fall.
- Who's got hairspray? - Damien.
Throw it over.
I got right here.
All right, that's time! - Thank you.
- Yeah.
Time's up, and I didn't get the chance to add spider-leg details to the nose, but I'm hoping that it still works.
Whew.
Welcome to the Face Off reveal stage.
Tonight one of you will be eliminated.
First, let's say hello to our talented judges.
Owner of Optic Nerve Make-Up Effects Studio, Glenn Hetrick.
Good evening, guys.
- Hey, Glenn.
- Hey, Glenn.
Oscar-winning makeup artist Lois Burwell.
Hello, all.
- Hi, Lois.
- Hi, Lois.
Creature and concept designer Neville Page.
- Hi, guys.
- Hello.
This week your spotlight challenge was to use your own childhood fear as inspiration for an evil-clown character.
My evil twin also told you that your characters would be tested in a performance here on the reveal stage.
First, let's take a look at your evil clowns.
Even from far away, my clown's terrifying.
It looks like it just stepped right out of my nightmare.
My clown probably looks better up close than he does from far away.
So, hopefully, the judges will notice how much I actually did.
Everyone's laughing at her.
She's hilarious and creepy and terrifying at the same time.
I'm not happy with it at all.
If I go home on a clown challenge, it's gonna feel really embarrassing.
This makeup is terrifying.
He's very spider-y.
He's very creepy.
I really enjoy watching him.
I took a risk by going with the doll concept.
I love my makeup, but I just don't know if the judges are gonna like it.
I feel pretty good about this makeup.
I think it's definitely gross, and that's what I was going for.
I'm not sure if the judges will get it, but it creeps me out.
So I like it, and it's disgusting.
All right, it's time to see your evil clowns in action.
Take it away, guys.
There's no words to describe it.
Everyone's makeup held up really well.
I didn't see any foam latex flop on the stage or any of that stuff.
So I think it was a success across the board.
All right, judges, it's time to take a closer look at our clowns.
- Oh.
- These shapes are amazing.
It looks so wet and drippy.
It really is good.
Oh, look at this.
Beautifully executed.
The way that this is painted to look like worn makeup - Yes.
- Really well done.
I really like how the eyelashes are sculpted in.
- It's clever.
- This is weird.
Is it a dog toy? It just doesn't make sense.
Oh, golly.
This is such a known approach to the makeup.
It feels like the joker.
At least bring out the sternum here a bit.
Thank you.
These eye shapes should have proceeded up - along the side of the head.
- Yes.
I think the judges are talking about how tightly clustered the eyes are, and I'm starting to think I might have made a mistake.
So I'm freaked out.
Who made your favorite evil-clown character? Tell us on Twitter, using #FaceOff.
It's neither spider nor human.
The judges go up to my makeup, and I see them gesturing to the sides of the head, and I'm starting to think I might be in trouble.
You've got what looks like a finger nose, maybe, or-- - I don't know what that is.
- I don't know either.
Thank you.
I like the way it looks like some of the painting's coming off and cracking.
This specific hair punching that you'd see on a doll.
Oh, that's fantastic.
Around the eyes, there's not a whole lot that's been done.
I kind of wish he would have kept the sausage-casing coloring to the face 'cause this is wretched in the best way possible.
It's a cute idea.
I'm just not sure we got to a place where the roach and the clown came together.
It's almost a cartoon version of both.
- Thank you.
- Bye.
Okay.
The judges have scored your creations, so let's find out what they thought.
Stella George Rachael Congratulations, because you guys are all safe and can head back to the makeup room.
- Thank you, guys.
- Thank you.
Good luck, guys.
Now, the rest of you were the best and the worst.
The judges would like to speak with each of you to learn more about your work.
Dina, please step up.
Tell us about your fear and how you integrated that into your clown character.
My fear as a child was tornadoes.
My clown was at a birthday party, performing.
A storm hit, and he got impaled by a bunch of party debris.
How do you feel about your creation? I think it's a fun concept.
I think you should be extremely pleased.
It was exceptionally difficult, but you struck the perfect balance for me between the fantastic and realism.
I like the blood.
I love the piece of skin coming up, and I absolutely adored the balloon animal.
It's really very good.
I have to kind of disagree with the two other judges.
They like it.
I love it.
I think it's really well sculpted, really well painted.
I'm starting to really see a whole new tier to your skill set.
Thank you so much.
Dina, please step back.
Thanks.
- Good job.
- Thanks.
Drew, please step forward.
Tell us about your childhood fear and your makeup.
My childhood fears were spiders.
The things that scare me the most about spiders were their furry, hairy bodies, their spindly limbs, and their webbing.
So I tried to incorporate all of those ideas into this makeup.
This, for me, doesn't work.
If you'd taken the eyes and placed them on the sides of the forehead, then the eye makeup and the spider's eyes would actually have complemented each other.
What were you going for with the nose? Is it supposed to be, like, a little finger or-- - it was actually the segmented end of a spider's foot.
Unfortunately, I wasn't able to complete it.
When you have a complex idea like that and you don't get to complete it, it affects the overall feel of the makeup.
It just left me a bit confused.
Okay.
Thank you.
Drew, please step back.
- I thought it was amazing.
- Thank you.
Cig, please step forward.
Tell us about your fear and the resulting design.
My fear was dark water, and as a kid, I would have these nightmares that I would fall into this dark, tarry water, and these sinewy, skeletal creatures would try to drag me under and eat me.
So I created one of those creatures and turned it into a clown.
It's so good in so many different ways.
It's absolutely horrific.
The asymmetry of the paint job on the front applied to this grotesque skull-- this is awesome.
There's something very childlike about the color palette that you've used.
It's scary, but you've got humor there as well.
Thank you so much.
The paint techniques that you used on the back of that head is phenomenal.
That's what I would want it to look like coming out of my shop.
- You should be very happy.
- Thank you.
Cig, you can step back.
All right, let's talk to Damien.
Tell me about your fear and how you integrated it into your character.
My fear as a child was spiders.
So this is Webbles The Clown, and he's a sideshow performer who would pop a spider in his mouth and pop it out as a gag.
And while he had it inside of his mouth, it actually laid its eggs, and he swallowed them.
So now they're eating him alive.
As much as I love your idea, there's so many other ways to have done that, man.
As it stands, there's not a whole lot to the fake depth.
It kind of feels glued on top, and this has so many expected lines and shapes.
It's just not your strongest work.
I agree 1,000%.
It looks very sort of Halloween-y costume this week.
Here's what I love about it, though-- the definition happening with the painted part of the makeup.
I think that we needed to see more of.
It's just too much of the classic evil-joker look to it.
I agree.
Damien, thank you very much.
Please step back.
Sasha, you're up.
Sasha, tell us about your makeup, please.
My fear was old porcelain dolls.
I took a different approach with not making a clown.
I made a doll, and I painted the clown face on.
I absolutely adore it.
Thank you.
I like the cracks.
I love the highlights on the lips and on the nose, but best of all, the dolly plugs in the hair-- - absolutely brilliant.
- Thank you.
It's beautiful.
It's the overall silhouette that gives you a strong, memorable character.
Thank you so much.
The way that you applied the paint to the doll-shaped face fulfills the clown aspect without going over the top and still makes it feel like a creepy antique doll.
Thank you so much.
Sasha, please step down.
- Good job.
- Thank you.
All right, guys, the judges have heard what you have to say.
Please head back to the makeup room while they deliberate.
Thank you.
All right, judges, let's start with some of the looks you liked the most.
How about Dina's work? I really love everything about it.
I like the wounds, and I like the contrast between one side of the face and the other.
I also think that the paint application was handled extraordinarily well because it felt like a real horror prosthetic makeup.
Yeah.
All right, let's move on to Cig.
Ugh.
A dark water clown? That's extraordinarily difficult to concept out, and it's all there.
The exposed skin so clearly reads as a waterlogged corpse.
That melted makeup was beautifully handled.
It's really gorgeous from the profile as well.
All right, how about Sasha? The technical work not only in the sculpt but in the painting-- I mean, that's beautifully painted.
She did such a good job with a makeup that I've seen done many, many times.
That's phenomenal.
She felt she was taking a risk by putting clown makeup on the doll.
That's exactly the decision making that wins challenges.
All right, judges, let's move on to the looks you liked the least.
Let's start with Drew.
This one failed miserably, in my opinion.
The eyes should go up the side of the head, and the nose is one of the worst noses on a makeup ever.
Unless we knew it was a spider, there's nothing there that would give you that information.
We got too many things happening, and therefore, we can't figure out what it's supposed to be.
All right, let's move on to Damien.
It is the lowest-hanging fruit imaginable in the clown department of makeup.
It's the elongated chin.
It's just so uninspired.
It was as if he had thrown it all together, and at this point in the competition - That's right.
- that's no place to be.
All right, then, judges, have you made your decisions? - Yes.
- Let's bring them back out.
All right, Glenn.
Tell us about the top looks.
Dina, we loved the way that you juxtaposed fantasy over realism.
Cig, your clown and that paint job of yours was absolutely phenomenal, man.
Awesome.
Sasha, your decision to explore a different path was clearly worth the risk.
All right, Glenn, who is the winner of this challenge? The winner of tonight's challenge is All right, Glenn, who is the winner of this challenge? The winner of tonight's challenge is Sasha.
You took a big creative risk tonight, and you delivered an outstanding makeup.
Thank you for reminding us why we saved you.
- Well done.
- Thank you so much.
I won the challenge.
This is one of the best days of my life.
I have so much more confidence in my skills, and I feel like I belong here.
Sasha, congratulations.
You, Dina, and Cig can head back to the makeup room.
Unfortunately, that means the two of you are on the bottom this week.
One of you will be eliminated.
Please step forward.
All right, Glenn, tell us about the bottom looks.
Drew, some of the paint work was actually quite good, but the design, particularly in the center of the face, was just far too busy.
Damien, you did some cool painting, but there was nothing that really surprised or intrigued us about your makeup.
So who is going home tonight? The person going home tonight is Damien.
It was just too expected of an approach for a challenge that begged for out-of-the-box thinking.
Damien, I am so sorry, but you have been eliminated.
It means, Drew, you are safe this week and can head back to the makeup room.
Thank you.
Damien, I hope you find that this experience has been encouraging, because the three of us have really enjoyed your work.
Thank you.
Damien, it's been so great having you here with us.
If you'd please head back to the makeup room and pack up your kit.
Thanks, guys.
- Good luck to you.
- Good luck.
Take care.
I really expected to do a lot better this challenge, but I made it this far, so I can't really be upset about that.
- Clowns sent me home.
- No Competing along side these other artists has meant the world to me.
This has been a complete blessing.
I feel even more capable than I did when I first came here.
So, I'm really excited to go home and make my dream of doing this every day come true.