Pretty Little Liars s07e19 Episode Script

1 FEMALE NARRATOR: Previously on "Pretty Little Liars" MONA: I saw her get a puzzle piece, it was hidden for her and she knew where to find it.
I think she's on the A.
D.
team.
We're done and I'm out.
This is exactly what they wanted all along.
Us breaking apart.
- Are the police there? - Yeah.
They're here too.
They hit Spencer's apartment first.
I've done some really terrible things.
I wouldn't have blamed you if you had turned in that file CALEB: Well, with everything going on right now we should do this while we still can.
(INSTRUMENTAL MUSIC) The signals from the game are coming from inside the apartment.
It's Mona.
I am going to get to the bottom of what happened to Dunhill and how you and your friends were involved.
(SHRIEKS) (SIREN BLARING) You will not call me back, you will do it now.
Well, wake the judge up.
I need signatures on those arrest warrants and they cannot wait until morning.
(DRAMATIC MUSIC) It's okay.
I-I just dropped my keys in the trunk, and my release isn't working so I called a friend of mine who has another set of my keys and they're almost here so, it's all good.
But thank you, though.
(INDISTINCT RADIO CHATTER) Let's see if we can save your friend a trip.
Oh, um Seriously, it's-it's okay.
You don't have to If it's just something caught in the release we may be able to shake it loose.
My friend is, is almost here so, I don't wanna waste your time.
Part of the job.
Like getting cats out of trees.
(GRUNTING) That's firemen.
Seriously, you don't have to do this.
There you go.
Now, let's find those keys.
No! It WOMAN ON RADIO: 10-7, Rosewood 6.
10-16.
Turner Road bypass.
WOMAN ON RADIO: Signal 27.
Intersection - 10-17 - Got 'em.
- Thank you so much.
- No problem.
- Goodnight.
- Goodnight.
(CAR REVVING) (DRAMATIC MUSIC) Got a secret can you keep it? Swear this one you'll save Better lock it in your pocket Taking this one to the grave If I show you then I know you Won't tell what I said 'Cause two can keep a secret Are you absolutely sure about this? EZRA: Mona has the game.
She not only has it, she's accessing the guts of the thing.
You can see that by the signals.
It's her game.
Hanna, Mona's A.
D.
The good thing is that we know and she doesn't know that we know.
I'm just glad that you didn't bust in on her.
Well, we have to do something.
We should do it now.
There's a lot of chatter on the police frequencies.
Tanner's paying a lot of overtime I think she's getting ready to move.
Well, we need Mona if she's A.
D.
Why? So she can tell the cops what she's been doing to us.
Look, guys, our only shot at a break is a live Mona explaining how we ended up on that road with Dunhill.
I'll convince her.
- No, I'll talk to her.
- Not alone, you won't.
Aria's still not answering her phone.
What I can't understand is how you could do this just cut her off like that? Okay, Ezra, you have to understand Understand what, Spencer? That she screwed up? That she got scared and made a mistake? There isn't a person in this room who hasn't made a big mistake and doesn't have to live live with it.
Do you know what makes A.
D.
so dangerous? She can't forgive, that is the only edge any of you ever have had over her and now you don't even have that.
Ezra.
I didn't mean to include you in all that.
Why not? It's true.
Did you try to get through to Toby again? Yeah, I did, but it went straight to voicemail.
Are you gonna look for Aria? - Yes.
- Maybe I can help.
Does she have an extra set of car keys? (ENGINE REVVING) (THUDDING) Keep it quiet back there.
I'm trying to think.
That was your first mistake, making all that noise.
If you'd kept quiet, I wouldn't have checked the trunk and I would have driven straight to Spencer and the others with you in the back.
The police, they would have received an anonymous tip.
That-that is what A.
D.
wanted.
(SIGHS) You're dead.
You know everything.
Who is A.
D.
? God, you're no help.
I should have just let that cop find you.
Maybe I should have.
Maybe I still can.
Yeah, I-I could go to the police I could tell them that I killed you.
They'd forget all about that ticket once I introduced them to you.
I-I can fix this.
I can.
(THUDDING CONTINUES) Good.
Glad you agree.
(INSTRUMENTAL MUSIC) (CLANKING) (CAT MEOWING) (DRAMATIC MUSIC) How's the wedding night going for you? Not how I thought it would be.
Well, I promise you a great honeymoon.
Yeah, if we manage to stay out of jail.
Why did you stop me? I want to see where she's going, don't you? Thank you for coming.
Um, I'm sorry, but I thought you'd left.
I remembered some unfinished business.
I have something for you, a going-away gift.
(CHUCKLES) You're smiling.
I just, I didn't think to get you anything.
You're not the one leaving.
It's something for you and Alison.
For Ali and me? I would like for you to accept it, please.
If I can.
What is it? This.
The Lost Woods? It's mine, free and clear.
I put the deed in your name.
Yours and Alison's.
But why? I know what's happening.
With the police.
You'll need money for lawyers, all of you.
(SIGHS) Thank you.
I owe you so much.
So much more.
I owe you an entire life.
I wish there was something that I could do.
Something to change everything for you and Alison and your friends.
I'm afraid no one can do that.
No.
I suppose not.
Well, the bank will deliver the deed tomorrow.
I hope that helps.
It will.
Bye, Spencer.
Bye.
(INSTRUMENTAL MUSIC) Be careful.
I will.
You too.
(DOOR CREAKING) (SIGHS) It's just another police car.
It's the third one in an hour.
- They're watching us.
- Yeah.
And they don't care that we know it.
(EMILY SIGHS) Ezra's right.
We should be looking for Aria.
You are safer here.
If we get arrested what's gonna happen to the baby? Don't think about that.
Not yet.
They're gonna take him or her away and what happened to Charlotte's gonna happen all over again.
Instead of a family, it's gonna be homes and hospitals, institutions.
We won't let that happen.
Em we're not gonna be able to stop it.
Ali Look, it took me so long to finally get here with you.
Okay? I didn't come all that way to lose everything now.
I promise you I won't let them hurt you.
(INSTRUMENTAL MUSIC) (GAS HISSING) (SIGHS) (CRICKETS CHIRPING) (GASPING) - It's okay.
- What? How did Caleb tapped into the transmitter of your car alarm.
- Let's get out of here.
- No.
- I have to do this.
- Do what? I can make it up to them, I can take the blame.
First of all, I'm-I'm not interested in you making any more sacrifices for your friends.
Second, Aria, you have an alibi, you're in the clear.
There's nothing linking you to what happened with Dunhill.
His body is in the trunk of my car.
(ROCK MUSIC) Emily and Alison didn't pick up.
She's still in there? She's still waiting for somebody.
HANNA: Who? Jenna, Sidney, Santa Claus.
She looks so nervous.
I can see it from here.
CALEB: Makes me wonder who she's waiting for.
- Is she alone? - She's all by herself.
I think we need to get in there before she gets any support.
If we do that, how do we find out who she was supposed to meet? She was supposed to meet Charlotte here.
Remember? "The Two Crows?" The night Charlotte was killed Mona called her, and Charlotte never showed up.
She's not gonna show up tonight.
I'm just saying that's what she said.
I know what she said, it's her alibi.
Maybe Mona is not A.
D.
Maybe she moved the game to keep the police from finding it.
- I can't buy that.
- Because you don't want to.
Oh, my God, you guys are arguing like you're married or something.
What? Hey, did you call Ali and Em up? No, they didn't pick up.
- Spencer, I - I just talked to Mary.
- What? - I talked to Mary.
- I saw her.
- When? Tonight, and she gave me the Lost Woods.
- She gave you a motel? - Yeah, Ali and me.
Why? I think I'm supposed to mortgage it to pay for the lawyers that we're gonna need.
- Oh, my God.
- Look, maybe Caleb's right.
Maybe we should just grab Mona while we can.
Did he go back to the car or something? Spencer (MUSIC CONTINUES) They got me on my knees Down on this cave floor Don't you like your pie? It's okay.
Do you mind? (MUSIC CONTINUES) Who you waiting for? Nobody.
Let's go for a little ride, then.
I don't think I wanna go anywhere with you.
Well, think again.
Because we're gonna walk out of here and we're gonna go to the police.
You're gonna tell them how you made everybody's life a living hell.
But first, we're gonna pick up the game just so they can see your handy work.
I don't have it anymore.
Somebody stole it from me, somebody's always stealing the game from me.
If you don't have it, who does? I don't know.
Somebody's always stealing the game from me.
I told Hanna, it was a bad idea my touching that thing.
We're out of our league all of us.
We swim around in this fish bowl like we're in control.
We are not.
There's always been somebody watching.
Manipulating.
(MUSIC CONTINUES) This is Rosewood, Mona, not Area 51.
Finish your pie.
I don't want anything from you.
Front door's this way.
Mind if I use the ladies' first? Can you hold it? - What the hell are you doing? - Mona I couldn't just stand there and do nothing.
They got me on my knees - Maybe she went out the back.
- Not without setting off the alarm.
Well, she didn't just flush herself out.
Guys.
They got me on my knees Down on this cave floor That's how she got out.
Yeah, maybe that's how Mona got out the night that Charlotte was killed.
- Come on.
- No, not you.
I'm not letting you down any more holes.
I'm not letting you go down there by yourself.
I'll go with him.
Just take your car back to Rosewood, this has to come up between here and town.
Let the others know what we're up to.
We'll call you when we surface.
Alright, don't get lost.
How do you like the ladies' room? Smells nicer.
(INSTRUMENTAL MUSIC) Get the watch commander.
(INSTRUMENTAL MUSIC) There is nothing keeping us here.
You forgot something.
The dead body in the trunk of your car? No, I didn't forget that.
The body is not the problem.
Yes, okay, the body is a problem but more importantly I can't leave my friends.
I think they gave up the right to be your friends.
No, they haven't.
I'm the one who made the bad choice.
When someone puts you in a box and nails the lid shut part of you will always be locked in that box in the dark afraid and crying, but you can't let that trap part do the thinking for you.
(SIGHS) Okay, we can grab the others we can get out of Tanner's jurisdiction there's no point in making this easier for her.
First we need to deal with that problem in your trunk.
How? I have a masters degree in American literature.
There is nothing I can't handle.
(DOOR OPENS) (INSTRUMENTAL MUSIC) Oh, no.
(ARIA SIGHS) (DRAMATIC MUSIC) (INDISTINCT CHATTERING) (DOOR OPENS) He's coming for you.
We have to go.
Now, Ali.
Ali, we came back for you, so move it.
It's too late, he's already here.
(DRAMATIC MUSIC) (BANGING ON DOOR) He's awfully sprightly for a dead guy.
You know, maybe if you'd hit him harder the first time.
Guys, less talking, more stacking.
(BANGING CONTINUES) (SCREAMING) (GASPING) Ali! (GASPS) Mm.
(SIGHS) Ali.
Ali.
What happened? You fell asleep, so did I.
What do you mean? How did we both fall asleep? I don't know, but we did.
AUTOMATED MESSAGE: We don't have a lot of time.
We don't have a lot of time.
We don't have a lot of time.
We don't have a lot of time.
We don't have a lot of time.
We don't have a lot of time.
We don't have a lot of time.
We don't have a lot of time.
- Please shut if off.
- We don't have a lot of time.
We don't have a lot of time.
That's it.
We're getting out.
(POUNDING ON DOOR) The police.
- Ali, Emily.
Open the door.
- Oh, my CALEB: Mona said she doesn't have the game anymore.
- She said that to you? - She said somebody stole it.
- What if Mona's A.
D.
then - I don't know about that now.
Why, what changed your mind? I don't know.
How scared she was.
The note telling her to get out.
A.
D.
doesn't get messages, they send messages.
- Poor Mona.
- What did you just say? She always wanted to be in charge of everything.
She ends up middle management.
That's gotta hurt.
Hanna and I are married.
You mean you're going to get married? No, I mean we're married.
- What, since when? - Since tonight.
Oh, no wonder you didn't want her going down any more holes.
Congratulations.
Thanks.
There is a part of me, though, that, uh wants to say I'm sorry.
To whom? Well, to the only person I know who uses "Whom" in a conversation.
Sorry to me? For what? Don't you dare apologize for being with me.
And don't you dare forget it, any of it.
'Cause I won't.
- "To whom?" - Shut up.
No one's answering.
Hanna, Spencer, Caleb, no one.
Keep trying, we need to pick a place to meet.
I'm sorry, Aria.
We all are.
- It's okay.
- No, it's not okay.
We didn't have the right to shut you out like that.
Banishing you from the tribe.
Something I would've done in high school.
You panicked.
When people panic, they go back to old behavior.
(INDISTINCT CHATTER) - What is it? - I don't know.
ARIA: Maybe this is not about us.
I'm not interested in finding out.
God, how I hate you.
(INSTRUMENTAL MUSIC) (CELLPHONE BEEPING) This thing is useless.
You couldn't get a signal out of here with a satellite phone.
(INTENSE MUSIC) Mona? Who else would it be? What are you doing here? Waiting for you, Charlotte.
I'm not Charlotte, I'm Hanna.
Mm-mm.
Hanna wasn't here.
Charlotte was.
The night Charlotte was released? The night you called her? Why would she want to meet you here? Because she had to.
CHARLOTTE: You brought flowers? Is that why you wanted to see me? To welcome me home with flowers? I couldn't give them to you in the hospital.
Alison wouldn't let me.
Why did you want to visit me? For the same reason you came here.
To see if there was anything to worry about.
I didn't visit, but I kept an eye on you.
I watched for five years.
Five years of you making the doctors feel so clever with all the progress you were making.
You played them all.
The court, the lawyers, your own sister.
But you couldn't fool me.
You always were the smart one, Mona, not Spencer.
Now, you're out, and you think you can start hurting people again? Well, I'm not gonna let that happen.
Who's gonna stop me, is it you? Yes.
Do you still see her when you look in the mirror? The, uh, the loser the pigtails and the frumpy sweaters.
'Cause I see her.
I see her right now.
None of you are sure when you look in the mirror.
None of you are really certain who you are.
(WHISPERS) I did that.
I took that away from you the same way everything was stolen from me.
And now I'm back.
And everything that happened before.
(CHUCKLES) That's gonna feel like a picnic.
I won't let you do that to my friends.
Oh, no one's gonna believe you.
Not only did you lose the game but you lost the story.
It's mine, everything is mine.
(CHUCKLES) God, I hate this town.
I guess I'm gonna have to do something about that too.
Am I supposed to be afraid of you? You said no one would believe me.
Oh, sweet Mona.
You don't have the guts.
Let's find out.
People will think you committed suicide your first night home.
How's that? Jump.
Jump or I'll push you.
I'm giving you more of a chance than you ever gave any of us.
Maybe you'll land just right and live.
A few broken bones and you get to me send me to prison.
It's possible.
You're thinking about it.
You're thinking about lot of things.
Aren't you? (FOOTSTEPS APPROACHING) You're not gonna trick me this time.
(GASPS) Hanna! Ugh! MONA: Oh.
Ah! Mona killed Charlotte.
We're gonna take her to the cops? No.
Not in this condition.
Oh, I love puzzles.
We should turn her over to the police.
Not like this.
She killed Charlotte and she tried to kill Hanna.
She didn't know who I was.
I'm not turning her over to Tanner like this.
Some enhanced interrogation and Mona could be gone forever.
That may have already happened.
Why is she dressed like that? She went back to a safe place.
The one place before everything went wrong where the worst she had to worry about was you being mean to her in the cafeteria.
We could call Dr.
Sullivan.
She should take Mona to the police, she can explain.
It's a good idea.
(DOOR OPENS) - Did you get it? - Yeah, I put it in cabin one.
Emily is watching it.
Can you stay here with Ezra and watch Mona? Sure.
Does that mean we won? We got those pieces after Hanna found out that Mona killed Charlotte.
(BEEPING) (DRUMROLL) The body.
Whatever Tanner has, she doesn't have the body.
Then where is it? HANNA: What is it, a flipping cartoon??i It's augmented reality.
Not really the answer.
"Aunt Carol.
" My aunt Carol? We've been all over that place.
Where would you hide a body there? (DRAMATIC MUSIC) Take a symbolic grave and make it a real one.
- Points for irony.
- Points for being really sick.
We get him out of there, we get rid of him, and that's it.
Guys, guys.
Just wait a minute.
Wait for what? Do we really wanna do this? Nobody wants to do it, Aria, but we have to.
- Do we? - What are you talking about? I can't do this anymore.
I've had enough.
Every single time we do this only graves that get dug are ours.
- What are we supposed to do? - Walk away.
Leave Archer Dunhill to the worms.
Don't we have to be sure that he's down there? Well, what do we do if he isn't? Don't you see? It doesn't end.
If we wanna stop the crazy, we've to stop acting crazy.
Crazy and scared.
She's right.
If we don't walk away now, we might as well just crawl down there with him.
Are you serious? If we don't walk away, we'll end up just like Mona.
(INSTRUMENTAL MUSIC) Requiescat in pace.
(ENGINE SPUTTERING) (REVVING) (INSTRUMENTAL MUSIC) You ladies need any help? Ezra and Caleb are gonna wonder what happened, they're gonna start looking for us.
Won't be hard to find us.
Guys, what are we gonna do? Tell the truth.
How will telling the truth now get us off? We're not gonna get off.
So, this is it? Well, maybe when they hear Mona we'll get some mercy.
Police aren't interested in mercy they want justice.
Yeah.
And justice is a blindfolded bitch.
The body at the farm has been tentatively identified as Archer Dunhill.
Make yourselves comfortable, there's something I have to do and then we'll talk.
"Make yourselves comfortable?" God, she's a riot.
What is she doing here? I don't know.
(INSTRUMENTAL MUSIC) I have the typed copy of your statement.
I'd like to go over the major points one more time.
Of course.
Well I killed Archer Dunhill.
I ran him over with a car that I stole and I buried his body in the woods.
Later I moved it to where I told you you'd find it.
Why'd you kill Dunhill? He was not a good man.
He tricked me into helping him steal from my own family.
He was an imposter.
And he was planning to kill my niece.
He told me if I'd try to stop him that he would tell the police that I killed my sister.
Did you murder Jessica DiLaurentis? Yes.
That's how Dunhill made me do things.
I had to kill him.
Then I tried to cover it up.
How? I arranged with someone to make it look like Dunhill was still alive.
LINDA: Who was your accomplice? (MARY SIGHS) MARY: I'm not gonna tell you.
That person had no idea what I'd done.
The only thing that they were guilty of was helping someone in trouble.
LINDA: Do you know why your niece and her friends were at that farm tonight? MARY: They must have figured out it was me.
You were getting ready to accuse them.
They had to do something.
Please read over your statement carefully, correct any mistakes.
Thank you.
(INSTRUMENTAL MUSIC) You're free to go.
I am sorry for any inconvenience.
What? Mary Drake confessed to killing Archer Dunhill and her own sister.
Her statement is full of credible details about getting the car repaired and taking a shower in Spencer's barn which accounts for blood evidence and glass fragments.
So you're just gonna let us go? Well, you haven't done anything wrong.
Have you? You used to think so up until recently.
The district attorney is a simple man.
And he likes his cases drawn in bold, straight lines.
I can give him Mary Drake and a logical story about her and Dunhill or I can give him a box of loose ends with theories that might be true but no one could ever prove.
I know which version he wants.
Do you believe Mary? I am convinced that Mary Drake is guilty of at least one homicide.
She did kill her sister.
And that's enough to send her where she can hurt no one ever again.
Do you believe that she killed Archer Dunhill? What I believe and what I can prove are two different things.
(INSTRUMENTAL MUSIC) Go home.
You're not criminals.
Not really.
Try and remember that.
Lieutenant Tanner! I wanna talk to her, please.
It is better if you don't.
She did this for you.
Don't ask her to explain.
(MUSIC CONTINUES) We've called Dr.
Sullivan and she's gonna be here in a few hours.
You're gonna be okay.
I'm sorry, Mona.
For what? For showing you the game and pulling you in.
But you needed me.
You don't know what that felt like.
You needed me.
Just like you needed me to take care of Charlotte after all the terrible things that she did.
I'm sorry, I messed that up.
Nothing ever happens the way it's supposed to with me.
What do you mean? MONA: All those plans, all those lies and you end up with nothing.
How does that make you feel? Please, Mona, d-don't.
"Please, Mona, don't.
" Now you know what it's like to be really afraid.
The way you made us feel Say goodnight to the world, bully.
(DRAMATIC MUSIC) Listen to me.
That taste in your mouth that's what dying tastes like.
Get used to it.
Because you're gonna choke on it every day for the rest of your long miserable life.
I knew you didn't have the guts.
(GRUNTING) (INTENSE MUSIC) They will never love you.
(GRUNTS) (GROANS) (DRAMATIC MUSIC) The reason the police never found a murder weapon is because they were looking for something hidden.
It wasn't hidden.
It was right there all the time in the steeple waiting for Charlotte to come.
(CHURCH BELL TOLLING) Be careful.
ALISON: It's dead.
Wait, did we end the game or did Mary Drake? Mona did.
When she told us what happened to Charlotte.
I don't know who did, but it's finished.
We still don't know who did this.
Well, it wasn't Mona and Mary saved us from A.
D.
by confessing.
A.
D.
doesn't have any leverage anymore they've nothing left to threaten us with.
Are you sure about that? I'm not sure about anything.
That's not true.
I'm sure about one thing I'm sure about all of you.
Okay, let's get out of here before things get too mushy.
- Good idea.
- I agree.
(INSTRUMENTAL MUSIC) No I can't forget tomorrow When I think of all my sorrow When I had you there But then I let you go And now it's only fair That I should let you know What you should know oh I can't live If living is without you I can't live I can't give anymore I can't live If living is without you I can't live I can't give anymore