Dallas s12e22 Episode Script

[GRUNTING.]
NARRATOR: Last on Dallas: WOMAN: I think he's dead.
I'm gonna help him, honey.
You stay here.
- Tommy's gone.
- Damn that Bobby Ewing.
I want you to write down the name of the man behind the European consortium.
We started out with a lot of promise.
My family comes first.
- I'm gonna miss you.
- I'm gonna miss you too.
- I have to go to Europe.
- Business always did come first.
I should cancel my trip for you? BOBBY: I don't understand Cliff canceling out.
J.
R: Forget it, Bob.
Just enjoy the trip.
[CHATTERING.]
I just can't believe it.
We're really here in Europe.
I've never seen so many people.
And look how they're dressed.
Helstrom was supposed to send somebody.
If they don't show up, we'll just take a cab to the train station, that's all.
Oh, we're going on a train to Vienna? Yeah.
I thought you'd enjoy that.
Pardon me.
You are the Ewing brothers? - That's right.
KONRAD: My name is Konrad Holtz, sir.
- Mr.
Helstrom asked me to meet you.
- Oh, I'm J.
R.
Ewing.
My brother Bobby and my wife Cally.
There's been a slight change in plans.
Vienna meeting has been moved back to the middle of the month.
Middle of the month? Lt'll give us time to meet the guys in charge.
Exactly.
The man who is really in control of the cartel is Rolf Brundin.
He will be at his home in Salzburg in about a day or two.
We will arrange a meeting for you.
What does that mean, we go to Salzburg now or? We've booked a hotel for you, and I've got cars waiting.
That mean we're not taking the train? From Salzburg to Vienna, we will go by train.
It is quite pleasant.
Well, let's get this show on the road.
BOBBY: Tell me, has Carter McKay arrived yet? KONRAD: I've not seen him.
But I do know he was in Vienna yesterday.
BOBBY: Oh, you can believe he'll be in Salzburg.
[PIANO PLAYING.]
Hi.
Hey.
Hi.
Hey, you hungry? Let's go get something to eat.
- You're amazing.
- How so? You're here every night when I finish.
You work all day.
- And you are full of energy.
- Yeah.
Well, I'll sleep when I retire, huh? But, uh, I have a great idea.
I'm not spending the night with you.
Oh That wasn't my idea.
But you know, it does have merit.
- Then what? - Okay.
Look l'm going to take you home.
You're gonna put some clothes in a suitcase, pick up your passport and we'll go to Europe.
- Are you serious? - I'm deadly serious.
Look.
I mean, look, face it.
Dallas doesn't really hold any great memories for us, right? So it would be a chance for us to be together find out how we really feel about each other.
- And have a good time while doing it.
- Cliff And you can even have your own room.
I keep telling myself this can't be.
But you really are different.
I think so.
Yeah, I am.
I am different.
As a matter of fact I am so different, I'm not even gonna take you for Chinese tonight.
[LAUGHS.]
Good.
CALLY: Ain't this exciting? - Did you enjoy the drive? It's a good thing it was pretty because it dang near scared me to death.
How come they drive so fast on that autobarn? Well, that's autobahn, darling.
They don't have any speed limit.
Wish they had that in Texas.
BOBBY: Hey, last time I drove to Waco, I thought I was on an autobahn.
[J.
R.
LAUGHS.]
Good morning, Miss Ellie.
Good morning, Teresa.
Oh, that smells wonderful.
It's almost ready.
Did Mr.
Farlow wander through here this morning? Yes, ma'am.
About an hour ago.
Said he was going riding.
Oh.
It's that new stallion he bought.
If I hadn't stopped him, he would've been out on it last night.
Well, good morning.
CHRISTOPHER: Morning.
JOHN ROSS: Morning.
I'm starving.
I think you can go into the dining room now.
Good.
Thank you.
Come on, guys.
Then we're all agreed.
Tom Wester for Bobby.
We are.
And I love Buck Waters as Jock.
- Isn't he wonderful? Such strength.
SUE ELLEN: He's perfect.
Assuming we can make the deals for the right price the major roles are set.
I don't think we have any problem with prices.
Some of the billing will be a little tricky, but I've waded through that before.
In essence, the picture is cast.
- You've done a wonderful job for us.
- Yeah, I'll second that.
I'm glad we met, Alison.
- I'm sure we'll work together again.
- Oh, I'll look forward to it.
Well, I better start making some phone calls.
[DON SIGHS.]
Are you happy with everyone we cast? I am.
Or I'd still be looking.
And you didn't mind my input? Well, you're the executive producer.
It's your money.
And you're entitled to your opinion.
As long as I agree with it.
As opposed to reading your script before it's ready.
Exactly.
Hey, you're quick, aren't you? Hmm.
Ahem, while we're on the subject, I have ahem, a polished revised draft, which you can, at long last, read.
When? Not at this instant.
I suggest we go grab a bite and then come back, and it's all yours.
But But I can't eat.
I'm too nervous.
No.
No, no.
You are not supposed to be the one that's nervous.
I am.
But you're not.
That's because I haven't given it to you yet.
[CHATTERING.]
J.
R.
, I can't drink anymore beer.
I'm just gonna float away from here.
Just observing a little local custom, darling.
Well, do you think anybody'll get real mad if I just sip this one a little then? Everybody looks pretty busy, I think it'll be okay.
MAN: Hey.
You're Americans too, aren't you? No.
We're Texans.
[LAUGHING.]
Now, that's good.
I gotta remember that.
Imagine that.
Right in the middle of Salzburg meeting some Texans.
- That surprises you, huh? CHICK: It sure does.
My name is Chick Harvard.
And this is my wife, Bunny.
- Hi.
Pleased to meet you.
- J.
R.
Ewing.
My wife, Cally.
- Bobby, my brother.
CHICK: Cally, how you doing? - Hi.
- Hi.
Bunny.
BOBBY: Hi, Chick, Bunny.
- It's real nice to meet you.
Why don't you sit down with us? BUNNY: Ooh! - That's awfully nice of you.
CHICK: We didn't wanna impose.
Oh, no.
We just love the company.
Well, just for a minute then, huh? [SPEAKING IN GERMAN.]
Golly, you speak the language? Well, just enough to order beers and ask how much things cost.
What brings you folks to Salzburg? The music festival? Just sightseeing.
We are on our honeymoon.
BUNNY: Oh, isn't that sweet? CHICK: Aw.
- Heh, heh, heh.
- And lucky.
Chick and I spent our honeymoon in Cincinnada.
You, uh You the chaperone, Bobby? Or is your wife here too, huh? I'm not married.
Oh, then you're gonna have a real good time.
- Oh, Chick, what a terrible thing to say.
CHICK: Just kidding, Bunny.
I'm in the tire business back in Dayton, Ohio.
- What business you fellas in? CALLY: They're in oil.
You ever hear of a company called Ewing Oil? It's real big.
Well, I can't say that I have, but anyway, you're a long way any oil around here.
- Well, you see, we came into - We gotta get out of the office sometimes.
And, uh, oil business is a slow right now.
- Yeah.
- I'll bet you've just bought out every store in this place.
I hear you rich Texans are big spenders.
Well, we just got in, and I haven't really had a chance to look yet.
Oh, you and I are going shopping tomorrow.
I know all the best places.
CHICK: Oh, ha, ha, now, that's for sure.
There are buyers and there are shoppers.
And my little Bunny here is a buyer.
[LAUGHS.]
That's real neighborly of you.
I'd just love to go with you.
BUNNY: Good.
Hey, where the hell is my zwei Bier? Can I fix you something, Miss Ellie? No, thank you, Teresa.
I just wish I'd hear from Mr.
Farlow.
This isn't like him at all.
I'm sure he'll be home any time now.
CHICK: And the guy says: - "Don't bother to wrap it up.
I'll eat here.
" - [MOUTHING.]
Don't wrap it up.
I'll eat here.
[CALLY, BUNNY & CHICK LAUGHING.]
Chick, you tell the oldest jokes in the world.
But I think we're overstaying.
After all, it is their honeymoon.
CHICK: Oh, you're right.
You're right.
Well, it's been a real pleasure meeting you.
- Oh, Chick, don't bother.
I'll take care of it.
CHICK: Oh, thank you, Bobby.
That's very nice of you.
Well, see you around.
BUNNY: Bye-bye.
- Oh, weren't they the nicest folks.
- Yeah.
Wonderful.
You know we should go too.
After all, it is our honeymoon night.
Yeah.
Wouldn't wanna let that go by, would we? Why don't you two run along.
I'll take care of all this.
Go on, back to the hotel.
Go on.
Okay.
Bye, Bobby.
[CHUCKLES.]
[LAUGHING.]
- Well, how you think it went? - Perfect.
I think she'll grow to love us.
J.
R.
, if we're gonna meet with Brundin in a couple of days we better get a proposal ready for him.
I'd feel better if I knew what McKay's deal was.
Forget about McKay.
We need a deal that you and I can live with.
That's true, Bobby.
- Oh, look, honey! - Oh, yeah.
- Oh! - Ha, ha.
Well, ha, ha.
There you are.
I was wondering where you'd got off.
- Good morning.
Isn't it so beautiful here? CHICK: Oh, it sure is.
Hope we didn't ruin your party last night sitting around talking your ears off.
- Oh, we had a wonderful night, didn't we? - We sure did.
[CHICK CHUCKLES.]
Now, you remember that we're going shopping today.
- Oh, I didn't know if you really meant it.
BUNNY: Oh, I most certainly did.
And if you can tear yourself away from that handsome husband of yours we'll go right now.
- That be all right with you, J.
R? - Yeah, darling.
You run along.
- You got your credit cards? CALLY: Yeah.
And here are some schillings.
And I don't want you back until they're all spent.
Oh CALLY: You're so good to me.
- I know, ha, ha.
- You're sure you don't mind? - No.
Bobby and I got some work to do.
Now, don't worry about a thing.
We'll take real good care of her.
I'll make it up to you as soon as I get back.
I know you will.
You know, J.
R I think you just might have a successful marriage here.
What do you mean by that? I don't think you'd have the energy to cheat on her even if you wanted to.
I don't find that very humorous, Bob.
Maybe he just had some business somewhere and forgot to mention it.
No, sheriff.
No, Clayton would've called me at least.
No, something's happened to him.
Have your ranch hands been out looking for him? Since lunchtime.
But you know how big the ranch is.
And with all the gullies and creeks, they could go right by him and never see him.
Miss Ellie, I'll do everything I can to help.
First light of day, I'll have helicopters up searching.
I'll put APB's on him tonight.
Chances are, there's some real logical explanation why Mr.
Farlow didn't get in touch with you.
[ELLIE SIGHS.]
You're being very kind, sheriff, and I appreciate it.
But there's no explanation, except something has happened to Clayton.
Well, like I said, first thing in the morning, I'll have choppers in the air.
And why not tonight? What if he's lying hurt somewhere? What if finding him tonight would make a difference? Miss Ellie, if your own men couldn't find him in the daylight what good do you expect us to do now? Besides it's only a guess that he's somewhere on the ranch.
I know.
And I know you'll do your best.
I, uh I just don't know how I'm gonna get through the night.
[CHATTERING.]
CALLY: I know he's gone dancing.
CHICK: Oh, he better had.
The way [CALLY SCREAMS.]
CALLY: He's got my purse! CALLY: Get him! [MAN SPEAKING IN FOREIGN LANGUAGE.]
[GRUNTING.]
- Chick, honey.
Are you all right? - Yeah.
A little out of shape for this.
Damn crook got away.
- You got my purse back.
CHICK: Yeah, here it is, honey.
I just don't know how to thank you enough.
Don't worry, honey.
What are friends for? My hero.
We ought to go back, see if our packages are all right.
Now, let's get a cup of coffee.
My legs feel like jelly.
Okay.
Well, it's my treat, okay? Just wait till I tell J.
R.
What you've done for me.
Now, you don't have to tell him a thing.
We'll just let this be our secret, huh? Do we burn it? You like it? It was wonderful.
Whew.
But it was very difficult for me to read.
Not many of us get a chance to review our lives that way.
God, I was a wimp.
The things he did to me and I let him get away with them.
If you use the cliché love is blind.
And stupid.
At least I was, but no more.
[SUE ELLEN SIGHS.]
Well? No suggestions? No changes? What kind of a producer are you? One who is in awe of your talent.
You did everything you told me you'd do.
It's not always flattering to you, you know? No, but, uh, it's the truth.
Well, the truth shall set them free.
How soon can we get started? Well, tomorrow, we go back to Dallas, finish casting.
Bruce has lined up a crew, so it won't be long.
So tonight we say goodbye to the ocean.
And that wonderful house where I was happier than I ever remember.
Well, I wouldn't give all the credit to the house.
No.
But I don't know if it can be the same once we get back to Dallas.
You remember what I said about looking around corners? Just take what we have and be happy.
You always want guarantees.
There aren't any.
Can you blame me? You're the one who wrote the script.
You know how much I need that one man that I can be sure of.
You're absolutely positive that I'm that man? No.
[DON SIGHS.]
But I'd be happy if you were.
J.
R: And what if McKay is willing to sell at $20 per barrel? BOBBY: I figured it out.
With the volume we're talking about, we can undercut that by a dollar, maybe two a barrel.
J.
R: You realize if we do make this deal we got refineries with nothing to put in them.
Hey, take all our crude, and we find new suppliers, that's all.
Or sell them.
Refineries are a hot item, Bob.
Well, with that money and the upfront money we're getting here, huh we'd have a fortune to spend on new exploration.
Yeah.
Yeah, if we get lucky, we could double our output.
And then sell that right back to our new European friends.
Ha, ha, if we make the right deal in the first place.
BOBBY: Well, that's what we're here for.
J.
R: Oh, yeah.
It's looking better and better, ain't it? [BOTH LAUGH.]
BOBBY: Can I have the key, please? This was left for you, Mr.
Ewing.
And your key.
- And your key, sir.
J.
R: Thank you.
You're welcome.
Home? No.
But it's strange.
Somebody wants to meet me at Hohensalzburg Castle at 4.
- Who? - I don't know.
Signed with an A.
You're not going, are you? A little foreign intrigue, why not? Be careful.
Okay, Daddy.
You give my best to Cally.
I'll check in on you when I get back.
[SIGHS.]
Do you ever get tired of just traveling, moving around every couple of weeks? Of course.
But New York could lead to a recording contract.
It's important to you.
It's what it's all about.
No chance you're gonna cancel and hanging around Dallas a little longer? Cliff.
[CLIFF CHUCKLES.]
No, I know it's important to you.
I was just hoping that I was too.
[CLIFF CHUCKLES.]
Now, wouldn't it be funny if your career was the stumbling block this time, hmm? I don't wanna lose you again.
We still have a week left.
Let's see what happens.
Not exactly the answer I wanted to hear.
I don't have a better one.
I better go.
You should spend the night here.
It's too soon.
I'm taking things a lot slower this time.
- Just call me a cab, please.
- No, I'll drive you.
No, uh, it's late.
I'll be fine.
You know, I like the new Cliff Barnes a lot.
But just call me a cab, please? I don't want to.
But I will.
Thanks.
Now? [CHATTERING.]
APRIL: Hello, Bobby.
Now, don't tell me you were just in the neighborhood.
I don't suppose you'd believe that this is a coincidence.
BOBBY: No, I don't suppose I would.
April, why all the mystery? I thought I was meeting some foreign spy or something.
I needed to talk to you without J.
R.
Being around.
Why? Because I think we have a chance together.
And I don't want him to ruin it.
So you flew all the way here just to talk to me? Why didn't you talk me in Dallas? You're unhappy that I'm here? I didn't say that.
I could be very happy you're here.
But I have a feeling that depends on what you're gonna tell me.
Can we just walk and I'll talk? Please don't look at me until I'm finished.
- It's really gonna happen, isn't it? - And soon.
The script's being boarded, schedules being set, crews hired.
Won't be long.
And then it's all in your hands.
Spoken like a true producer.
But it's true, isn't it? From now on, it's your vision, not mine anymore.
Well, that's the way it has to be.
Unless you think you're ready to direct.
Ha, ha, you're kidding.
I don't know anything at all about directing.
You'd be surprised at how many people think they do.
No one tells a cameraman how to light or a grip where to put a flag.
But everyone thinks they can direct.
Oh, wait till we start shooting.
Most actors can't wait to start improvising, ad-libbing, make the script better.
They'll think the camera should be everywhere except where I put it.
- Ha, ha, so how do you handle that? - Sweetness and light, a little understanding.
When that fails, tell them to, "Say the line, don't trip over the furniture.
" Ha, ha, does that really happen all the time? Well, not always.
Depends on the actors.
Well, and the director.
If in the first few days you can establish a rapport or trust and agree about a character, then it's a treat.
And how do you see our movie? Well, I certainly don't see any motivational character discussions once I convince them that what they're playing really did happen.
I don't know if I wanna be on the set when you're shooting.
Oh, if you do I should say, when you're on the set I would like to see you, please, in a corner, quiet as a mouse.
Don't talk to actors about their performance and me about what's happening.
No input from me at all? Oh, you and me off the set, as much as you want, but on the set, my show.
- You are a dictator, aren't you? - Exactly.
Why spoil what we've got by arguing about it? - And what exactly do we have? - Ooh, something very, very special.
Now, if you care to step into your old bedroom we'll debate a minute.
SUE ELLEN: My old bedroom? DON: Certainly, yes.
I just couldn't stand the thought that J.
R.
Would've told you first.
And you'd never wanna see me again.
[BOBBY SIGHS.]
In a strange way, I understand why he did what he did.
But it doesn't make it any easier to take.
I booked myself on a flight to Paris tonight.
Shall I be on it? Paris is a beautiful city.
It's very romantic.
You should see it with somebody that you really like.
That's you.
Then why don't you cancel your trip for the time being? And stay here? Stay here.
April, I'm glad you're here.
I missed your funny little face.
[LAUGHING.]
You talked me into it.
Besides, how could Paris be any prettier than this? I don't think it could right now.
So you wanna take in some sights? No.
Let's just walk around here all night.
It gets a little nippy up here at night.
No.
Tonight, we're having wurstel and beer music a little romance.
You can be my travel agent.
You just outlined the perfect evening.
Good.
CALLY: I promised him I wouldn't say anything but I just have to tell you what happened today.
J.
R: Mm-hm.
Bunny and me, we just came out of this store and some fellow grabbed my purse and ran.
You lost your purse? - Did you have your passport in it? - No, no.
I didn't lose it.
Chick ran after him and grabbed him and got my purse back.
How long did Chick have it before you got it back? I don't know.
A little while.
Why? Where's your purse? On the desk.
- What are you doing? - I'm looking for something somebody might've put in here.
- What? Who'd put anything in my purse? Chick and Bunny.
I don't trust people that become your friends first minute you meet.
Oh, but they're real nice.
And besides, what would they put in my purse? A bug, for one thing.
You mean like a cockroach? No, darling, uh A listening device, tracking Something like that.
Well, why would they wanna do that? They know what room we're in.
Oh, Cally, you're the sweetest, loveliest person in the world, but you're so naive.
We are strangers in a strange land.
And there's lots of people who'd like to know what the Ewings are up to.
Oh, I guarantee.
She's told him.
And he's gone through the purse by now.
And found nothing.
Exactly.
So whatever suspicions he may have had about you two should've been laid to rest.
So now what? Stay close to the girl.
She's a talker.
If J.
R.
Should say anything in front of her, sooner or later, she's bound to repeat it.
You think she's really as dumb as she acts? Oh, she's not dumb.
I just think she's very trusting.
- What about the brothers? - Leave them be.
The more you're around them, the more suspicious they become.
No, the girl is the one.
Work on her.
Whatever the Ewings are up to, I wanna know.
Miss Ellie? One of our choppers found Mr.
Farlow in one of the gullies out on the back range.
Is he all right? Well, the information I got is it looks like he either got thrown or fell off of his horse.
Now, they think he might've sustained some injuries.
- Is he on the way to the hospital? - No, ma'am.
We got a car bringing him here now.
He can walk all right, only [CAR HORN HONKING.]
That must be them.
Clay.
[GASPS.]
Oh, Clayton.
Oh, Clayton.
Thank God you're all right.
Ma'am? Clayton? What is it? I'm sorry, ma'am.
Who are you? [GASPS.]
DOCTOR: Now, he should sleep until tomorrow.
Have this filled.
If he has any pain, give him one of those every four hours.
What's happened to Clayton? He has no idea who I am.
Is it amnesia? He does have a concussion.
And he has suffered some memory loss.
How much loss? I don't know.
He's talking about the Southern Cross.
And, uh, Dusty? That's his son.
How, uh How long will this last? Chances are he'll snap out of it soon.
That's the way it normally happens.
"Chances are" is not a very strong medical opinion.
I know that.
Then what you're saying is that you really have no idea how long this will last.
There's just no way to be sure.
He might wake up tomorrow, remember everything.
And he also might not.
He might not.
Ellie, I'm sorry.
And the truth is his memory may come back at any time.
Or the years he's missing now may never come back to him at all.
Is there nothing that you can do to help him? Not in something like this.
I'm truly sorry.
I'll call you tomorrow.
[CHATTERING.]
- J.
R.
- Hi, Bobby.
We got your message.
J.
R: You've been keeping yourself scarce in hiding.
Thought you were gonna call me when you got back.
Come on, I didn't wanna disturb you two honeymooners.
You are just so thoughtful.
Who was the mystery message from? You know, it was the last person you'd expect.
Well, he or she or what? It was a lady.
Well, come on, Bobby.
What lady would you know in Salzburg? Why don't you take a look for yourself? April.
Fancy meeting you here.
CALLY: Well, I just can't believe it.
What are you doing here? She came all this way just to tell me a story.
What are you talking about? Does the name Ellis County strike a familiar note? J.
R: You told him.
- I thought I'd beat you to the punch.
Listen, I guarantee you, April, I never would've said anything.
Oh, of course you wouldn't.
Bobby, all this happened long before you took me back in as a full partner.
I'd never do anything like that now.
[CHATTERING.]
They're here.
[INAUDIBLE DIALOGUE.]
McKAY: Good.
Cash me in.
I'll pick up the money later.
I'll put in.
I still think this ain't the way to tell me, Bobby.
CALLY: Oh, my Lord.
Look who's coming.
Oh, God.
What the devil are you doing here? - Now, don't cause any problems, Mac.
- No, no.
I'm just surprised.
J.
R: Not as surprised as we are.
- You on a little vacation? McKAY: Uh-huh.
After what happened, I couldn't stand to go into that house.
I just had to get away.
Isn't it odd that we all ended up here? Yeah.
My wife and I are on our belated honeymoon.
Things being as quiet as they are in Dallas.
April and I are here to keep them company.
McKAY: May I join you? Sure.
Sit down.
I have something I wanna say to all of you.
Being away like this has given me a different perspective on what's happened.
I wanna apologize to you, April, for what Tommy did.
And I want you to know, Bobby, I no longer blame you for what happened to Tommy.
Because I just didn't understand what drugs do to someone.
He lied to me every step of the way.
And because I loved him, I believed him.
Well, I'm sorry about the way things turned out.
We all are.
For a while there, I was thinking I might have you for a son-in-law.
I rather liked the idea.
[BOBBY SIGHS.]
BOBBY: Well, nobody's to blame, Mac.
Things just don't always work out the way you expect.
I know that.
But now seeing you with April, I want only what's best for the two of Oh, God, I sound just like a damn matchmaker.
I like it.
I'm just glad we're all here, and nobody's mad at each other.
Me too.
And if nobody has an objection l'd like to order some champagne and drink to the new honeymooners.
That won't be necessary.
CALLY: J.
R.
, he's just trying to be nice.
You should try and do the same.
McKAY: I'd really like to.
And maybe bury the hatchet along with it? As long as it's hatchet burying you're talking about, I suppose it'll be all right.
Yes? I think I've got the wrong address.
I was looking for Afton Cooper.
May I ask why? Yeah, I'm a friend of hers and, uh Well, she must've mentioned me.
My name is Cliff Barnes.
I just stopped by to drive her to the club.
Really? You got a problem with that? Yes.
Miss Cooper doesn't give her address to anyone.
Well, listen, I got it from somebody where she works.
Mm-hm.
Actually, I bribed somebody to give me her address.
So could you tell her that I'm here, please? Miss Cooper isn't in.
Oh, she's left already? She left for Nashville today, and I don't know when she'll return.
Oh, okay.
Listen, I really wanna thank you for your warmth and your charm.
PAMELA: Mommy, is that you? Hi, who are you? Who are you? Well, my name is Cliff Barnes and I'll bet Are you Afton's daughter? - That's right.
NANNY: Okay, come on inside now.
CLIFF: Well, what's your name? You really must go.
Wait just a minute, please.
What's your name? Pamela Rebecca Cooper.
[DOOR CLOSES.]
Well, this Brundin fella's doing all right for himself, isn't he? BOBBY: It's plain to see why Helstrom calls him Mr.
Big.
This is high-rent district.
[DOORBELL RINGS.]
Yes? J.
R: Oh, we're the Ewing brothers.
Mr.
Brundin's expecting us.
Yes, come with me, please.
Mr.
Brundin is in the garden.
The Ewings, sir.
Ah How nice to meet you.
BRUNDIN: Mr.
Helstrom speaks very highly of you.
- I'm Rolf Brundin.
- Bobby Ewing.
My brother, J.
R.
- Hi.
- Pleasure.
- May I offer you some refreshment? - No, we're fine.
Thank you.
So you come all this way to meet me.
You also have some oil you want me to buy.
We do.
We know that you've contacted Westar, but we feel we can be competitive.
We can beat their price on any amount you care to name.
Well, to tell the truth, I've been anticipating your visit.
Does that mean you're willing to deal with us? That is why I invited you out here today.
I, uh, very much would like to make a deal with you.
But not just to buy your, um, supply of crude.
BOBBY: Well, what then? Well, something much bigger.
I wanna buy lock, stock and barrel Ewing Oil.
NARRATOR: Next on Dallas: Oh, I wish I could sing.
J.
R: I like your style.
- I like yours.
- That mean you're gonna cut us in? - It means I'd like to hear your proposals.
The meetings are in Vienna next week.
- I've never seen anything so beautiful.
- Hmm.
McKAY: I see J.
R.
Is here.
I encouraged it.
- The catacombs.
Tomorrow morning.
- The catacombs.
Over here, gentlemen.
Thank you for coming.
- J.
R.
- I don't believe it.