Dallas s12e23 Episode Script

NARRATOR: Last on Dallas: Hello, Bobby.
I don't know if it can be the same once we get back.
You always want guarantees.
There aren't any.
J.
R: We are strangers in a strange land.
People'd like to know what the Ewings are up to.
Whatever the Ewings are up to, I wanna know.
- Clayton, what is it? - Who are you? CLIFF: Are you Afton's daughter? - What's your name? - Pamela Rebecca Cooper.
MAN: The Ewings, sir.
I wanna buy, lock, stock and barrel, Ewing Oil.
[APRIL SIGHS.]
Here.
I got it.
[APRIL LAUGHS.]
Oh, I wish I could sing.
You know how many years I've wanted to do this? You'd make a great Maria.
- I would, wouldn't I? - Hmm.
Julie Andrews, watch out.
April Stevens is staking claim on your mountain.
[BOBBY CHUCKLES.]
[IN GERMAN ACCENT.]
Fräulein, I have this wonderful job for you.
It's a babysitting job.
It has long hours, it has low pay.
But you will be working for one of the most handsome counts in all of Austria.
Ouch! Boy, are you smooth.
[IN NORMAL VOICE.]
Yeah, well, I'll keep Von Trapp shut from now on.
[APRIL LAUGHS.]
- That was terrible.
- I'm sorry.
It's the best I can do.
I'm coming off a major disappointment.
I take it your meeting with Herr Brundin was less than successful.
Ha, ha, like hitting a stone wall.
You wanna talk about it? There's nothing to talk about.
He wants to buy Ewing Oil.
Oh, he is one of the big boys.
And there's no shortage of funds.
Selling Ewing Oil is out of the question.
Don't tell me we're leaving.
No.
J.
R.
And I talked about it.
We have a feeling that Carter McKay just might be behind this little setback of ours.
So? So we sit and wait.
And snoop? [LAUGHS.]
- And snoop.
- Good.
That means I can have Wiener schnitzel for dinner, instead of Texas barbecue.
You had schnitzel last night.
Bratwurst and red cabbage.
Is that all you think about? This little estomago of yours? - No.
- Okey-dokey.
[APRIL LAUGHS.]
What were you doing at my house? Something wrong with that? I mean, I wanted to see you.
I tried to call you in Nashville.
You had no right to go there without asking me first.
Hold on here.
Now, wait a minute.
I was innocent.
You know, we're friends, aren't we? There's nothing wrong with what I did.
I didn't know you had a daughter.
- I wasn't ready to talk to you about her.
- Why not? You named her Pamela Rebecca after my sister and my mother.
I loved them too, you know? They were like my family for a long time.
I know.
So tell me about little Pamela.
There's nothing to tell.
Afton, do I not have a right to know? No, you do not have a right to know.
You don't have a claim on me and certainly not on my daughter.
I want you to stay away from her, Cliff.
Well, I think we should discuss this.
There's nothing to discuss.
- How about lunch tomorrow? - What for? Oh, wait a minute.
You mean you're not gonna see me anymore? I cancelled a trip to Europe to be with you.
All right, I'll meet you.
Oil Barons, 1 -ish.
Okay.
I'll see you tomorrow.
[DOOR CLOSES.]
Mr.
Brundin, sir.
- Rolf.
- Yes? - You wanted to see me? - I do.
Thank you for coming out here.
- I take it you've met with the Ewings? - Yes, I have.
The company their father founded is very dear to them.
Well, I'm sure you can reach a compromise on price.
You misunderstand, they won't sell the company at any price.
Everything has a price if you're willing to pay it.
Not Ewing Oil.
Well, it was an excellent scheme, Carter.
Buy Ewing Oil and then sell it to you.
And you would've had only one supplier to deal with.
But I think I can turn this setback to my advantage.
I see no reason to keep the Ewings out of the meetings.
They will only complicate the negotiations.
Carter.
You and I have been friends for a long time.
I trust you.
That's why I went along with your plan.
But now we have a new set of rules.
And my associates will have to live with that.
Frankly, I, uh I welcome the competition.
I'm not happy about it at all.
You mean, you'll pull out? Not on your life.
Then I expect the consortium to be pleased about this new development with the Ewings.
We'll see.
Somehow I expected you to say that, my friend.
JOHN ROSS: Ball, Christopher? - I gotta do homework.
- You could do it later.
JOHN ROSS & CHRISTOPHER: Hey, Grandpa.
JOHN ROSS: I'll even help you.
CHRISTOPHER: Okay.
[ELLIE SIGHS.]
You feeling better, Clayton? Those children they called me Grandpa.
That's John Ross and Christopher.
They think of you as their grandfather.
Boy, I am really confused.
I don't know where the hell I am.
Why don't you sit down, Clayton? You had such a bad fall, I'm not sure that you should be walking around yet.
I don't hurt.
Can I get anything for you? You must be hungry.
You slept through lunch.
No, thank you.
Clayton.
Do you know me yet? No.
Look you're being very kind letting me stay here and the robe and the pajamas.
But when your husband arrives l'd appreciate it if he can arrange my transportation home.
You are my husband.
You are home.
No.
There are some things that I am not confused about.
My home is the Southern Cross Ranch in San Angelo.
And my wife is Amy Farlow.
Oh! There you two lovebirds are.
Hi, J.
R.
Hi, Cally.
Hi, Chick.
BUNNY: I was so afraid I was gonna miss you.
You know, I'm not so old that I don't remember what a honeymoon's like.
You're embarrassing me.
- Are you going some place? - Uh, Budapest.
I'm gonna see Buda and Bunny's gonna see Pest, and then we'll compare notes.
[CHICK LAUGHS.]
- I don't understand.
- It's a joke, darling.
I'll explain later.
Well, you have a nice trip.
Bye, now.
Oh, we will.
You know it'd really be fun if you all could come with us.
- Oh, we can't.
We're going - No, we're gonna stay right here.
I think told you before, it's a combination honeymoon and business trip.
Of course.
Well, we've got to leave now.
- Anyway, maybe we'll see you later.
- I hope so.
Auf Wiedersehen.
- Bye.
- Auf Wiedersehen.
They are the nicest people.
Good evening, what would you like to drink? - Ah, I'll have bourbon.
What do you want? - Sparkling water please.
That woman gushes more than an uncapped oil well.
Harmless enough.
Just a couple of tourists out to enjoy themselves.
Yeah.
They sure made us their best friends fast enough.
Don't like being close to anybody, especially on this trip.
Is that why you stopped me talking about Vienna? - That's right.
- J.
R.
's right, Cally.
We can't take a chance that Carter McKay has a spy around here.
Oh, uh, I can't believe that Bunny and Chick are spies.
[CHUCKLES.]
Why don't we forget about them, have dinner here, huh? Are we gonna have room service again? I love room service.
No, darling, we'll have a nice leisurely dinner here in the dining room.
April and I are going dancing later, you're welcome to join us for that.
Oh, thank you, Bobby.
I just think I'll take a walk after dinner to get my digestion to - So why don't I check on the reservations.
- I'll go with you.
Uh, okey-dokey.
DEBBIE: Here you are.
- Thank you, Debbie.
You're welcome.
- You like to order lunch now, Mr.
Barnes? - We're gonna wait.
Thanks.
Okay.
All right.
At the risk of offending I would like to toast your daughter.
I never thought there'd be another Pam.
I'm very touched.
Pamela Rebecca.
- My mother would've been pleased too.
- Thank you.
She seems like a healthy little girl.
[SCOFFS.]
- What an odd thing to say.
- Why? Well, when people talk about children they usually say how pretty they are or how bright.
She's pretty, she's bright.
But, Afton certainly you more than anyone else should understand my concerns.
No, just what is your concern, Cliff? Why are you asking about Pamela's health? Look.
You know my father, Digger, had that genetic disease neurofibromatosis, and that I could be a carrier.
I know all about it.
Pamela does not have a genetic disease.
She has nothing to do with you, Cliff.
She is not your child.
I find that very hard to believe.
[SCOFFS.]
Maybe you should've gone on that trip with Bobby and J.
R.
Afton, please sit down.
I promise you, I won't talk about it.
I won't talk about it anymore.
Please.
Debbie? - Yes, Mr.
Barnes? - We'd like to order now.
- Yes, Mr.
Barnes.
- Okay.
[GIGGLING.]
I just love my little leather pants.
Gonna look great in those when Mama takes you to the DO A meeting.
She'll be a trendsetter, huh? APRIL: Don't pay any attention to them, Cally.
You can wear them any place you go with me.
- Guten tag.
- Ah [SPEAKING IN GERMAN.]
[HELICOPTER WHIRRING.]
Well, look here.
J.
R: I like your style, Brundin.
- Ha, ha, and I like yours.
- This is my wife, Cally.
- Hi.
- Nice to meet you.
- April.
I wanted to talk to you.
Hollister told me where to find you.
If you think we've changed our mind about selling Ewing Oil, you No, not at all.
No.
Does that mean you're gonna cut us in on the deal? It means I'd like to hear your proposals.
The meetings start in Vienna next week.
You might like to get there early.
It's an interesting city.
- We're ready to go.
BRUNDIN: Wonderful.
Why don't you call my office in Vienna and, uh, I'll have someone to meet you? - And be prepared for the royal treatment.
- We'll be there.
- Ladies.
Wiedersehen.
- Wiedersehen.
Well.
Well, what do you think? To Vienna.
[APRIL LAUGHS.]
- You're the Ewing party, are you not? - Yes, we are.
Welcome to Vienna.
I'm Friedrich Ober.
I work for Herr Brundin.
- We appreciate you meeting us.
- It's my privilege.
I'm a great admirer of the United States.
- Especially Texas.
- Thanks.
I've arranged to have your luggage taken to the hotel.
I have transportation.
Follow me.
Mr.
Brundin said it takes a couple of days for the meeting.
- But there many things to see in Vienna.
- Know what I wanna see? - Spanish Riding School.
- Where they train the Lipizzaners? - What's a Lipizzaner? - It's a big, beautiful horse.
- So? - Well, we can go there later today.
You'll see for yourself what magnificent animals they are.
And tonight maybe a little fun dance at the disco? Sounds good to me.
I think I'm gonna like Vienna.
[J.
R.
LAUGHS.]
Mama didn't want me to marry you at first.
Tell me she wanted you to marry that poor kid you were going with.
What was his name? - Clint something or other.
- No.
Not him.
She wanted Billy Frampton for me.
- Well, Billy turned out to be a blimp.
- But his daddy's loaded.
Oil, coal, uranium, diamonds.
And you picked me because of my eyes? [CHUCKLES.]
And because of the way you talked.
You gave me shivers.
I never asked you.
But, J.
R why me? Every girl in the state of Texas was after you.
I remember.
I was one of the judges of the Miss Texas contest.
When it came time for the bathing suit contest all the rest of the girls were strutting and trying to look sexy.
Now you didn't try.
But you sure looked sexy.
Cut.
Um I think we need a little more warmth here.
It's one of the tender scenes in the film.
You're trying to recapture lost romance.
Which makes that phone call more crushing when it happens, okay? ACTOR: Okay, Don.
DON: Okay.
Hair, just fix hers.
From the top, fellas.
Don.
DON: Yeah? There is no way J.
R.
Can be more romantic.
What? Well, in the scene, you asked for there to be more tenderness.
J.
R.
Is incapable of tenderness.
Sue Ellen, I know this is all very personal to you, but I'm directing.
You gotta trust me.
We're not making a documentary, this is a movie.
Okay.
From the top.
I've never seen anything so beautiful.
J.
R: Hmm.
Sure like to get one of those for John Ross.
Say, how much are these horses? You can't buy them.
They're not for sale? Well, honey, everything's got a price.
Is there any chance that I could ride one while I'm here? [SPEAKING IN FOREIGN LANGUAGE.]
None.
The horses are trained by one man for about ten years and nobody else can ride them.
[SIGHS.]
I sure wouldn't mind getting up.
Yeah, mighty pretty.
Well, we strictly maintained the stud line.
J.
R: Ooh WOMAN: Yes, since 400 years ago.
BOBBY: Four hundred years.
Clayton.
You haven't touched your tea.
I don't care for any, thank you.
I'm not sick.
You don't have to hover over me.
Well, I'm worried.
You haven't spoken a word to me all day.
I find it hard to communicate with you.
Clayton.
CLAYTON: I'm sorry, but you, uh You gotta understand, you may know me very well.
But I don't know you at all.
The doctor says you have a very good chance of getting your memory back.
Well, that's the odd thing.
I heard what the doctor said.
And I'm hearing what you're saying.
But I just don't feel that I've lost my memory.
What do you feel? I'm confused.
It's as if suddenly l I've been moved into a strange place.
There's nothing about Southfork that's familiar? Nothing.
I've wandered around the house, I've been out around the stables, the barns.
I've never been here before.
I don't think you should push yourself.
It's just making you feel even more anxious.
[SIGHS.]
Well, maybe you're right.
I, uh I didn't tell you, but I had a very bad time yesterday before I came downstairs.
Why? What happened? I, uh saw myself in the mirror.
It was as if I just woke up from a 20-year sleep like Rip Van Winkle.
Oh, Clayton.
I thought I was 45 years old.
And an old man was looking back at me.
You are not an old man.
I wanted to believe that you were lying to me about my memory because I remember San Angelo and my ranch, the Southern Cross.
I gotta go there.
Clayton.
You sold the Southern Cross.
No.
I'd never do anything like that.
My father built that ranch.
You sold it when we got married.
Clayton, why don't you lie down just Just for a little while.
I don't wanna lie down.
I'd like to be alone.
Okay.
I don't belong here, I know that much.
[CLIFF CHUCKLES.]
I thought you said you didn't eat lunch.
Well, I changed my mind when you said it wasn't gonna be Chinese food.
See, I told you I'm different now.
- You no longer like Chinese food? - No, I like Chinese food a lot.
It's just that I go to other kinds of restaurants too now.
Hmm.
Like Mexican, where you can stuff yourself for 5 dollars? Oh, listen, I'll pay up 6 bucks for a good Mexican meal.
My, you have changed.
I'm sorry I came on so strong about little Pam yesterday.
Cliff, I love my daughter very much.
But if there's gonna be anything lasting, it can't be because of her.
I know.
I have to be sure that you care about me just for myself.
I do.
Well, it's gonna take me some time to be sure about it.
Well, maybe this will help change your mind.
No, no, I don't want any gifts from you.
No, please just take it.
Just look at it.
An engagement ring? I don't wanna lose you again.
I think we were meant to be together.
No, it's too soon.
I won't be rushed into anything.
Uh, look, I just wanna show you that I can commit to marriage.
I think we could have a happy life together.
- It's because of my daughter, isn't it? - No.
I want you.
Then why didn't you come after me? All those years.
I wasn't that hard to find.
Because I was obsessed with beating J.
R.
And I knew you didn't want me that way.
Did you ever even give me a passing thought? I gave you a lot of thought.
I was at the club opening night, wasn't I? And I didn't know you had a daughter.
I can't take this from you now.
I have to be sure.
- All right.
- And I want you to stay away from Pamela.
I don't want you anywhere near my daughter.
[FUNK MUSIC PLAYING O VER SPEAKERS.]
[CHATTERING.]
CALLY: Did you realize it's the first time we danced since our wedding? You call this dancing? I thought we were stuck in a Viennese traffic jam.
Oh, you're a wonderful dancer.
Don't they ever stop the music, though? I have to write this down in my journal.
Write what? - I write all the great events in my life.
- Oh, really? Yeah, this is our first romantic evening in Vienna.
Well, I'm glad you consider that a major event.
I hope we can fill your journal before we get back to Texas.
- I hope that's a promise, Bobby Ewing.
- Well [LAUGHING.]
Honey, I think we ought to sit this one out.
J.
R.
, they haven't finished the song yet.
Yeah, I know.
Oh, I swear I can dance all night long.
I bet you could.
Friedrich, would you dance with Cally for a while? - I'd be honored.
- All right, good.
J.
R.
This is our honeymoon.
I wanna dance with you.
Hon, just close your eyes and pretend.
Uh-oh.
Looks like J.
R.
Can't keep up with her.
You think maybe it's jet lag? APRIL: Do you? No, actually, I think maybe my older brother got a little too much of a good thing.
[LAUGHS.]
You think we'll have time to take in some museums? Sure.
Why? There's the Museum of Fine Arts and the Global Clocks Museum.
And I wanna go to Sigmund Freud's house.
Feeling a little neurotic, are we? [LAUGHING.]
No.
Maybe we'll see some venerable psychiatrist visiting the shrine and we can ask him about J.
R.
Is there something specific you'd like to know? Yeah, I thought J.
R.
Liked the night life.
- But he insisted on taking Cally home.
- Ha, ha.
That is not a mental problem, my dear, it's physical.
My brother's exhausted.
A couple of months ago, he didn't think anything about staying up all night.
He was not married to Cally a couple of months ago.
He might start to long for those less-strenuous days when he was married to Sue Ellen.
Strange as it may sound, J.
R.
Loves Cally.
Hmm.
I know.
- I just hope his strength holds out.
- Ha, ha.
I never asked you.
How old are you? Tonight I feel 18.
Why? I just wanna make sure you can keep up with me.
Oh, you do, do you? [APRIL LAUGHS.]
Okay, okay, okay.
- Okay? Okay.
- Okay, I believe you.
You know, the question is can you keep up with me? Well, I hope we find that out soon.
I declare, I just don't know what comes over me when I'm alone with you.
I don't think we were in the room five seconds before I was just overcome with passion.
You know, I never thought of myself as a wild woman before I met you but I guess I am.
You know, J.
R.
, Friedrich was real nice to dance with me, and I enjoyed it a lot.
But I wouldn't have minded at all just sitting there and watching with you.
I really do love you.
So much that I could just bust right open.
I'm starting to feel that passion building up in me again.
Can you believe it? [SNORING.]
Oh.
Poor thing.
You're plumb tuckered out.
Sweet dreams.
ACTRESS [ON SCREEN.]
: I was so frightened when you brought me here to meet your parents.
They were such imposing figures, I thought they'd never like me.
ACTOR: Hmm.
Mama liked you right off.
Daddy too.
We've had some good times, J.
R.
- We've done some good things too.
- Yeah.
The best is that little boy in the next room.
What happened? Why can't we be like that again? Like those first years.
DON [ON SCREEN.]
: Ring.
Ring.
Hello.
It's my sister from California.
She's given birth to a baby.
You have another son.
DON [ON SCREEN.]
: Cut.
[DON SIGHS.]
Thanks, Bill.
Okay, guys, thanks.
I'll see you later in the cutting room.
So shall we grab a sandwich before I go back to the set? The faces and the voices are different, but, uh it's all there.
It's like traveling back in time.
Did you find the nuances all right? Yes.
I won't try to tell you what to do anymore.
Miss Ellie didn't know a thing about the affair that J.
R.
Had with my sister, Kristin.
That's all quite clear in the script.
I'm not talking about the script now.
I'm talking about real life.
She's in for quite a shock once the picture's shown.
I think the whole family will be surprised.
I'm not concerned about the whole family.
Clayton, Bobby and Ray are very objective about J.
R.
They don't know every detail.
But they certainly do know J.
R.
And I don't think I should've kept it from Miss Ellie.
Well, you're not gonna tell her now.
I owe her the truth.
If the story of this picture gets out, Ewing lawyers will be all over us.
It could mean costly delays, they could even shut us down.
Don, I'm convinced that if I ask her, she'll never betray me to J.
R.
She's a good woman.
And I have to be honest with her.
I've been around show business people all my life, they're selfish and self-centered.
And I think they feel they have to be to compete.
It's a long time since I met anybody with your sensitivity and your caring.
That way you remind me of my wife.
Hey, Bobby.
How are you doing? We've done a lot of sightseeing, we haven't done business.
Surprised you haven't joined us.
Oh, listen.
I had something come up here far more important to me than any oil deal.
Uh, I think I have a bad connection.
This is Cliff Barnes I'm talking to, isn't it? Yeah, you got it.
Listen, cut the jokes.
Gotta tell you now.
Afton's back in town.
Afton? Well, that's wonderful.
Give her my best, all right? Yeah.
But that's not all.
She has a 5-year-old daughter and her name is Pamela Rebecca.
- Pamela? CLIFF: Yeah.
Is the baby yours, Cliff? Well, listen, Afton insists no, but she could be.
I mean, I'm convinced that she is.
I mean, isn't that great? Another Pamela Barnes.
[KNOCKING ON DOOR.]
APRIL: Bobby, are you decent? - Yeah, I'll be there in a minute.
CLIFF: Hey, you hear me, Bobby? - Another Pamela Barnes.
- Yeah.
Yeah, that's great, Cliff.
Look, uh, I'm running late.
I gotta go.
Okay.
Give me a call if you get some news.
- Will do.
- Bye-bye.
Bye.
APRIL: Bobby, we have to get to the reception.
Coming.
[CHATTERING.]
J.
R: Well, I never thought I'd be in a party at the Vienna art museum, that's for sure.
The food's delicious.
I had two or three different kinds already, and I still don't know what anything is.
Maybe it's better that way.
Uh-oh, McKay has got Brundin's ear.
- Oh, that's the man with the helicopter.
- That's right.
He holds the purse strings on this bash.
Darling, why don't we go and say hello? Watch it.
I see J.
R.
Is here.
I encouraged it.
Mr.
And Mrs.
Ewing, I'm so glad that you could come.
Herr Brundin.
McKay.
Mr.
McKay, what a coincidence.
First Salzburg, now Vienna.
I feel the same way, Cally.
I wanna complement you on your food and drink, really excellent.
Well, that's what Vienna is famous for.
There are a few people I'd like for you to meet.
Uh, if you will excuse us, Mr.
McKay.
McKAY: Uh, J.
R.
, just a minute.
Obviously I'm not the only one moving around a bit.
Uh, you're having an interesting honeymoon.
First Salzburg, and then Vienna.
I wanted to take advantage of being in Austria and show my wife the OPEC headquarters.
They made a lot of money for me in the 1970s.
That makes perfect sense to me.
Planning on a little boat trip down the Danube, are you? Isn't that J.
R.
With McKay? That is a little lesson in business and politics.
Each one knows the other one is lying, and no one is giving an inch.
McKay doesn't look too happy.
I'd sure like to close this deal in a hurry.
I have a feeling McKay can get nasty if he thought we were closing in.
Mr.
Ewing.
Miss Stevens.
May I introduce you to Mr.
George Schuckardt.
- How do you do, sir? - How do you do? He is a very influential member of the consortium.
Friedrich, do you mind if I speak to Mr.
Ewing alone? Not at all.
- Lf you'll excuse me.
- Of course.
Mr.
Ewing, it is possible that I could meet privately with you and your brother? Sure, I can go get him right now.
Oh, no.
This is not the right place.
It's a matter of great importance and secrecy.
Okay, how about my hotel in two hours? No, I have someplace else in mind.
The catacombs.
Tomorrow morning, 9 a.
m.
Sharp.
The catacombs? J.
R: I'm not so sure I like this, Bob.
I know what you mean.
I wouldn't exactly pick this place for a meeting myself.
What makes you think this fella Schuckardt's on the up-and-up? Friedrich says he's an important man in plastics here in Europe.
Well, let's find him as soon as we can and get the hell out of this place.
It gives me the creeps.
Over here, gentlemen.
Thank you for coming.
Can we get on with this? I'm not used to hanging around cellars even during tornado season.
[GEORGE CHUCKLES.]
Forgive the inconvenience, but I'm sure you're being watched by McKay.
It's easier to keep our meeting a secret here rather than some office.
Why would McKay be watching us? You're his only competition.
And he's a man I do not trust.
I share that with you.
You've had dealings with McKay before? GEORGE: Oh, yes, when he was the troubleshooter for Westar.
He's a very ruthless man.
And why did your group approach him now? Brundin thought that Westar was the only company that could do the job.
And our belief, Ewing Oil can do it as well.
What do you want from us? The consortium is guaranteeing McKay over market price 20 dollars a barrel.
If Ewing Oil can come in for less and if you can prove you have the resources we can make a deal with you.
- When would you need these figures? - Not before the big meeting.
If you are prepared with all your data by then you can be very big winners.
Will Brundin go along with this? His loyalty to McKay is not absolute.
If it were, you would not be here in Vienna.
We'll have all the documentation you need by then.
Very good.
Auf Wiedersehen.
Till the big meeting.
Well, Bob, I guess we're in.
I don't know.
This all seems too simple.
Well, it happens like that sometimes.
Let's try to find our way out of here.
Throw it, nanny.
Throw it, I could catch it.
WOMAN: Okay.
Very good.
- Throw it again, nanny.
- Okay.
Maybe this time I'll roll it.
Ah! - Hi.
- Hi.
- You remember me? - Yeah.
I remember you.
You're Pam.
- I'm Pamela.
- Oh, yeah, Pamela.
- Do you remember where you were born? - Yeah.
- Where? - Biloxi.
Oh, Biloxi.
That's where your mommy was born.
Get away from her.
What are you doing? Come on.
Let's don't scare the child.
Go over there, Pamela.
I have strict orders that you are not to see her.
Look, you know I'm not a criminal.
I work for Mrs.
Cooper.
- And she says you're off limits.
- All right, I'm going.
Just don't make a big deal out of it.
I expect to be in her life permanently one of these days.
- Bye, man.
- Bye.
CALLY: Honey, did Friedrich say what he had planned for tonight? I can't remember if he said the opera or a concert.
Cally, I'm not gonna be going.
I have to go over all these figures here.
Well, Bobby and April are expecting us to go with them They'll understand.
Okay, I'll call Bobby and tell him we're not going.
No, no, there's no reason for you not to go, sweetheart.
I'm just gonna be working here.
You go and have a good time.
Friedrich would be very happy to be your escort, I guarantee you.
- Are you sure you don't mind? - No.
You go on.
I gotta finish this stuff.
Then I'm gonna take a walk, give me a chance to think.
Okay.
We'll come back early.
God.
Well I thought you'd be upstairs resting.
I'm not tired.
I can't spend the rest of my life in bed.
Isn't it, uh, a little early for you to be doing that? I don't know.
Is it? Yes.
Clayton, I know you're going through an ordeal, but there's no need to snap at me.
Look I just lost about 20 years of my life.
I'm in a house I don't know.
With a woman that claims to be my wife, I think I've good reason to be testy.
Well, it's not gonna help your recovery.
And drinking in the morning won't either.
Did you forget to tell me that you're also a nurse? No.
[CRYING.]
Damn it, Clayton.
I love you and you're scaring me to death.
I'm sorry.
I really am.
But I have to do something.
I can't just lie around hoping that my memory will come back.
I've got to go to San Angelo, I've got to see Southern Cross.
I've got to start with something that I know.
- All right.
I'll go with you.
- No.
I've got to do this alone.
J.
R? Vanessa.
I don't believe it.
Neither do I.
It's been so long, my love.
NARRATOR: Next on Dallas: [SPEAKING IN GERMAN.]
What did she say? Flowers free of charge.
Because we look like such a happy couple.
- What about Cally? - A man can appreciate an old flame without getting burned up.
I want you to talk Bobby out of this deal.
You're asking an awful lot.
Oh, my goodness.
[ORCHESTRA PLAYING WALTZ MUSIC PLAYING.]
[BOBBY HUMMING.]
I want one last night of love with you, J.
R.