Dallas s12e25 Episode Script

NARRATOR: Last on Dallas: J.
R: I love you, Vanessa.
But I can't make love to you.
We'll work this through together.
Thank you.
Your name is not on Pamela Rebecca Cooper's birth certificate.
Damn it.
We are willing to make the same deal with both of you.
[CHUCKLES.]
You must go to Moscow.
Everything is at stake.
J.
R: Now, she was married to a fellow named Sergei Brummel.
BOBBY: And they lived in Russia? J.
R: No, no, he was an attaché at the Russian embassy in Paris.
- Of course, that could mean KGB too.
BOBBY: But you're not sure.
J.
R: Well, we didn't talk about it much.
We didn't talk about much of anything.
It was just pure emotion.
Well, what are we gonna do? I'm not getting on a plane and flying to Russia just because she says so.
- Hell, we might not ever get out of there.
- Come on.
You're being a little overly dramatic, don't you think? Well, look, all this talk of perestroika and, uh, glasnost and we don't know what it's really like.
Well, J.
R.
, you spent time with her.
You think she might be working for McKay? Uh, if she could really get those visas that would mean somebody inside is involved.
I mean somebody important.
Maybe she's keeping us away from the deal long enough for McKay to sign it.
Keep us out altogether.
You know how Daddy felt about communists.
He thought they were behind everything that went wrong.
I don't know if I go for that, but we don't know anything about those people.
All right then.
What it comes down to is just a feeling.
Do you trust Vanessa? I think so, yeah.
Then if what she's saying is right, there's something wrong with our deal with Brundin, we have to go to Russia to find out.
Why would they wanna do us any favors? Well, it's sure not to keep us from doing something wrong.
They must have a stake in it themselves.
It could be cold in Moscow.
I've always wanted to see Red Square.
That could be fun.
What are we gonna tell Cally and April? They're just gonna have to keep their mouths shut and stay here.
You better tell Vanessa we'll go.
- I hear the caviar is real cheap.
- I bet they don't have any bourbon there.
CHRISTOPHER: Grandma.
- Hi, Christopher.
Do you remember me? Sure, from the last time I was here.
- Uh, San Angelo didn't help at all? - Lucy.
All the things I was counting on, were gone.
Amy's dead.
I don't feel I belong anywhere.
- You belong here, Clay.
LUC Y: That's right.
You can't just go off and stay in some hotel until your memory comes back.
Lucy, you gotta understand.
When I look in the mirror, I know time has passed but in my mind, it hasn't.
You don't remember the range war or anything? No, Christopher, I don't.
It's not like something happened and I don't remember it.
To me, it just hasn't happened.
Would it help if I told you stuff we did together? You know, about now, I'm willing to try anything.
Why don't you and I go inside and you can talk to me, hmm? CHRISTOPHER: Okay.
[LUC Y SIGHS.]
Grandma, what are you gonna do? It's out of my hands.
All I can do is keep Clayton here and hope.
[J.
R.
CHUCKLES.]
J.
R: Oh, even if we wanted to I don't know if we could get those visas to you and April in time.
CALLY: Well, how come you got yours so easy? Or have you been planning this all along? No, of course not.
We don't even know what we're gonna find out in Moscow.
Would you tell me something true if I asked? Of course I would.
Tell me about that lady.
Which lady is that? You know who I mean.
The one that you know so well that you're going all the way to Russia just because she says you should.
Someone I once knew.
Is she the one you were dancing with at the ball? Yes.
You were in love with her once, weren't you? Why do you ask that? The way you two was looking at each other.
And now you're leaving me here to go to Moscow.
Will she be there? I don't think so.
I don't know, darling, l What difference does it make if she is? What we felt for each other was a long time ago.
And if you felt that way at the ball, why didn't you say something about it? It wasn't up to me.
I'm not saying all this because I'm jealous.
Either you love me and you want me, or you don't.
By looking at her, I could see why any man would want her.
I just wanna say one thing.
I will never ever share you.
Either I'm your wife in every sense or I'm not your wife at all.
You're my wife.
To tell you the truth, it's a good feeling to be happy with just one woman.
It's something I've never had before.
And I'm not gonna let you go, honey.
Then you go to Moscow and you be careful.
[J.
R.
CHUCKLES.]
APRIL: I don't want you ending up in some Siberian prison camp.
[BOBBY CHUCKLES.]
I'm not going there to steal the tsar's jewels.
They don't have a tsar anymore.
No kidding.
When did that happen? Thought you'd be taking this a little more seriously.
You make me feel very playful.
And what if you find out something bad about this deal with Brundin? Question is, why should we believe the Russians if, indeed, they're gonna tell us something bad about Brundin? Why else? Because I hear that they just might have a massive sale on fur coats.
[APRIL LAUGHS.]
Wouldn't that be nice to bring back for me? I might let you stay an extra day for that.
I thought you couldn't stand the idea of me going there and leaving you.
- I can't.
- Huh.
But as long as you're going, I might as well celebrate something.
[APRIL CHUCKLES.]
[SINGING "THROUGH THE EYES OF WINTER".]
CLIFF: I don't know how you do it.
You just get better each time.
- How do you do it? - What? You sit here night after night listening to the same songs sung the same way.
I mean, the act doesn't change much.
Well, a lot of people go to a museum and look at the same painting over and over.
It's because each time they see something new and they learn to appreciate it that much more.
It's a lovely compliment.
Thank you.
I see you up there singing, you're so beautiful.
I see what a warm, loving person you are and l I wonder why I didn't marry you when I had the chance.
I don't think I would have been very happy married to that Cliff Barnes.
No.
- But would you have? - Married you? I think so.
But I'm glad now that it never happened.
I am too.
I had a lot to learn.
I didn't know it, but I think the years changed both of us.
We have to clear something up.
- I don't wanna talk about my daughter.
- Listen, please, we have to.
I know you say she's not mine.
All right, I believe you.
And I won't even ask you about her anymore.
But I don't want her to be the reason that we stay together or we break up.
I won't go around the house anymore, I won't even try to see her.
I just don't wanna stop seeing you.
I know how much it would mean to you having a family.
That's why I have to be certain that it's me you want, Cliff.
I have to convince myself somehow that even if I didn't have Pamela you'd still want me.
Ha.
I don't want this to turn into a life-or-death situation.
I don't wanna stop seeing you.
Then cancel Chicago.
Maybe even New York.
Look, I have money.
I'll buy you your own record company.
But please, please, don't leave.
Not now.
If we lose each other this time, we may never find each other again.
I don't use the word love lightly but I love you.
And I want you to stick around long enough to find out how much.
I wanna believe you.
[SIGHS.]
I wanna believe you more than anything else in the world.
You gotta take a chance sometime.
Believe me now or just don't see me anymore.
[SIGHS.]
That's gotta be the most difficult thing I've ever said.
I guess that's why I do believe you.
See you after my next set.
This is Bobby's and Pam's second wedding.
I'm sorry.
And this is the first barbecue after we were married.
Mm-mm.
Hey.
Is that Jordan Lee? Huh.
- Do you recognize him? - I've known him all my life.
I haven't seen him for a long time.
CLAYTON: What's this one? That's the day we were married.
You were a beautiful bride.
Hmm.
Well, I was a happy one.
And you were happy too, Clayton.
I believe that.
You're quite a woman, Ellie.
I can see you're a real fighter, and I like that.
JOHN ROSS: He's not such a bad guy.
But I don't know.
SUE ELLEN: He does like you, but the way you've been behaving Lord knows why.
- Hi, Grandma.
Hi, Clayton.
- Hi, John Ross.
How are you, Sue Ellen? SUE ELLEN: Clayton.
You know who I am.
Well, of course, just like I know who John Ross is.
No, Clayton.
You've seen John Ross, but you haven't seen Sue Ellen since the accident.
Do you remember anything else? Well, it seems to tie in with Southern Cross, but why should it? Well, maybe it's because John Ross and I lived there for a while.
That's when I first met you.
When I went there to visit Sue Ellen and John Ross.
I'm sorry, Ellie, I I don't remember that.
Well, what if they don't know what a Stetson looks like? Do you see anybody wearing a hat like these? So where are they? Who are they? - Oh, are you as cold as I am? - I'm frozen.
- Where's the vodka when you need it? - Ha, ha, yeah.
KARPO V: Mr.
Ewing.
I am Karpov.
Vanessa told you of me.
Yeah, she told me you're her brother-in-law.
KARPO V: I was.
We are still very close.
- This is my brother, Bobby.
- This is Alexei Rudinov.
We came a long way not knowing what this is all about.
- It will all become clear soon.
- Well, you wanted a meeting, you talk.
How do you know about our deal with Brundin anyway? To know such things is our business.
This is a simple deal, it doesn't have anything to do with the Soviet Union.
KARPO V: On the contrary.
If this arrangement were to be concluded it could have a most disastrous effect for both our countries.
I'm here to tell you, you got my attention.
I don't what you're talking about, but you got my attention.
KARPO V: May I ask what you know about Brundin and his associates? Aside from the fact that they are a group of major industrialists, not a lot.
You checked them out.
You're satisfied they are who they say they are.
We know they have the money they say they have, they're triple-A companies.
Please.
KARPO V: There are many such corporations.
For example, British Petroleum and 15 percent of that is now owned by the Kuwaitis.
As for your country, the Saudis now control the refineries of Texaco and supply all their gasoline stations.
What's this got to do with us? If instead of Brundin and his associates you had been sitting cross-table from members of OPEC would you have made the same arrangement? Hell, no.
But on the other hand, why would OPEC want our oil? There are several reasons.
But we weren't dealing with OPEC.
Now, if you know so much about the deal you know this bunch is trying to break OPEC's hold on Europe.
You may be very wise in the business of oil but at international affairs, you know nothing.
Brundin's cartel is controlled by several powerful members of OPEC.
They are the ones that control all those businesses you so carefully checked.
Brundin and his cartel are front men for OPEC.
I don't believe it.
It just doesn't make any sense.
It makes perfect sense.
OPEC intends to control the world petroleum market.
The price is now $ 18 a barrel.
Production is stabilized.
But what if, suddenly, production is cut back and another shortage arises? What happens to the price of oil then? - Well, the higher it goes, the better for us.
- No.
Between you and Westar, they will have three billion barrels of crude stockpile.
Plus, whatever deal they make in the future.
If they limit the amount of oil your country has available and continue buying into major companies and agreeing to supplying them with their crude, they dictate world economy.
Assuming what you say is true, why do you care? You got the oil you need, you supply all of Eastern Europe.
True, but we prefer the balance of power to remain as this.
It is always better to deal with a known fact.
The situation with OPEC is far too unstable.
Well, how about Westar? Are you asking them to pull out? No, Westar is a public company with an obligation only to its stockholders.
Ewing Oil is privately held.
You are the masters of you own conscience.
Patriotism before profits, huh? It works in Russia.
Why not try it? Here is documentation.
It is of everything we have told you.
Examine it completely.
We will discuss it further when next we meet.
- When is that? - Soon.
Let's go.
[BOBBY WHISTLES.]
You bastard, you're finally home.
So, uh, you decided to come back to Southfork, did you? ELAINE: Not because I wanted to.
MAN: I was worried about you.
Oh, when were you worried the most? Before or after making love to Molly Woodward? Just because you may see my car at Molly's doesn't mean anything happened.
Your car? Is that what you think this is about? I saw you and Molly in bed.
- Couldn't have.
- Why? Because you didn't see me? No, you were too busy doing other things to see anything.
Darling, don't fly off the handle.
This can be explained.
Don't you touch me.
[ELAINE CRYING.]
Where are you going? You've destroyed her again.
Don't you ever learn? DON: Cut.
That was terrific.
That was great.
Yeah, that's great.
We'll print that.
Okay, let's go in for a close-up of Elaine.
Well done, darling.
Ha, ha.
Thanks.
Aah! Talk to me.
What's bothering you? SUE ELLEN: Everything.
- Come here, come here.
I can't come on this set anymore.
Yeah, I know it's painful, but that's all in your past.
Is it? Every time I see those two actors, I can't help but think about J.
R.
And myself.
All the lies, all the cheating.
And I find myself wondering if he's really any different from any other man.
Oh, meaning me? If you haven't noticed the difference between us by now you just haven't been paying any attention.
But J.
R.
Was very sweet and affectionate in the beginning too.
But that all changed after we got married.
Oh, you blame it all on marriage? No, no, no.
I've known people all over the world.
There's one J.
R.
Ewing.
You survived him.
Sometimes I wonder.
But I find it hard to, uh, to trust and believe anymore.
I just keep waiting for the other shoe to drop.
- Don, we're ready for the close-up.
- Yeah, I'll be there in one minute, okay? Listen, we may or may not make it together.
But I guarantee you one thing: The other shoe will not drop with me.
You have to trust someone.
It might as well be the one who knows you best.
Now, get back to work.
This is costing me a fortune.
Ah, spatted lady vanishes, producer returns.
Yes, but the producer's going to vanish back to her office.
- [WHISPERING.]
Okay.
Thank you.
- See you when we wrap.
DON: Ooh! Amazing how quiet it gets when you're waiting for the director.
Let's go from the top, please.
[WIND WHISTLING.]
BOBBY: One thing's for sure, this isn't some plot of McKay's.
J.
R: I don't know, Bob, might as well be.
Did you buy what they said? BOBBY: What they gave us to read was convincing.
J.
R: If it's real.
BOBBY: So do we take their word for it and pull out of the biggest deal we've ever had? J.
R: Well, I don't want to.
But the idea of OPEC dictating to us just makes my skin crawl.
BOBBY: You think our billion barrels will make any difference? J.
R: It's a start.
It's a chance to stand up and say what we think.
BOBBY: Now you sound like me.
J.
R: Well, Bobby, it's a start, damn it.
- You gotta say you care for your country.
- Then we're agreed.
Well, I don't know about that.
A hell lot of money involved here.
CLIFF: I just wasn't ready.
Made a lot of mistakes.
AFTON: We both did.
Maybe I just wanted more than you could give.
All you really wanted from me was a commitment.
[SCOFFS.]
It's not your fault.
I don't think either one of us was ready then.
You just can't leave now.
Because I wanna make that commitment.
I wake up in the morning and all day long, I think about the fact I'm gonna see you that night.
I think about your face and what you're gonna wear and what your voice sounds like.
Then I think how great it'd be to spend the rest of my life with you.
- This has nothing to do with my daughter? CLIFF: Mm-mm.
No.
It has to do with how we feel about each other.
Nothing would make me happier than to be her father.
Natural or otherwise.
I think you really mean that.
It doesn't matter to you who her father is? Matters to me who her mother is.
Maybe we ought to bring the ladies something from here.
How about a couple of sable coats? Hey, we just turned down a fortune, J.
R.
You think we can afford them? J.
R: We'll put them on our credit cards.
[CAR HORN HONKS.]
[MAN SPEAKING IN RUSSIAN.]
What do you want? - What do you think, Bob? - I think we better do what he says.
J.
R: Well, what was all that about? BOBBY: You putting on some kind of show for us? KARPO V: We thought you might perhaps enjoy a look at the city.
Beautiful, is it not? Next time we'll take a tour bus.
Only a small joke.
We wanted to meet you, somewhere not quite so, uh, public.
What about our hotel? It's much too nice a day to spend time talking in some stuffy room.
And the walls are very thin.
We have no fear of that.
Our position in this matter is very official.
You have had time to read the reports? - Yes.
RUDINO V: You believe us now? You're talking about us giving up a billion-dollar deal.
So today we sweeten the pot for you.
To perhaps help you to decide.
We're listening.
I am sure that the Soviet oil industry and its problems is no mystery to you.
We know how much crude you're supposed to have.
And how antiquated your industry is.
This is true.
Our technology is far behind that of the Western world.
So perhaps with all of your technical knowledge and our great oceans of oil some agreement could be reached between the two of us for the future.
If we turned down the Brundin group.
Precisely so.
But you weren't sure we were patriotic enough to do it on our own.
But of course.
However, if it were also a sound business decision it would be much easier to make.
In that case, why don't we go somewhere and see what you have to offer? An excellent idea.
I think I know just the place.
I don't suppose this place has any bourbon? Whiskey is for Texas.
Moscow is for vodka.
[ALL CHUCKLE.]
Grandma.
You scared me.
I'm sorry, Lucy.
How come you're up? It's not even 6:00 yet.
Oh, well it's been a little hard for me to sleep lately.
Clayton? Mm-hm.
Well, you can't make yourself sick over this.
He's bound to get better.
Is he? I wonder.
All I can think of at night is what if those years together never come back again? Then he'll fall in love with you all over again.
No.
No, I don't think the time will ever be right for that again.
Do you remember when your grandfather Jock died? Yes.
It was as if a hole opened and swallowed me up.
I always thought that somehow I'd be the one that went first.
I used to pray for that.
I never even Even had the chance to say goodbye to him.
One day he was just Just gone.
And he He took the best part of me with him.
[SIGHS.]
It was a long time before I could decide to continue with my life.
But somehow, I did.
And then years later I found Clayton.
And I was truly happy again.
And now Now this.
Oh, Lucy if I lose him I don't know what I'll do.
Grandma, don't talk like that.
You've been the one that's always been able to handle everything.
I don't know if I'd want to anymore.
I really don't know.
- How's your head, Bob? - Stop, don't talk so loud.
You know, I just can't drink the way I used to.
I wasn't drinking.
I was toasting and toasting.
Yeah, all night long.
We gotta get in training before we come back here.
[BOBBY SIGHS.]
BOTH: Oh, God.
Ha, ha.
Good morning.
We thought we might drive you to the airport.
We brought some small gifts for you to remember Moscow by.
Yeah, well, the way I feel right now, I'll remember that for sure.
I wish you could stay one more night.
We could show you more of our city.
Perhaps a few more toasts to our mutual benefit? We'd really like to have another toast, but we're very late and our ladies are waiting for us.
For you and your ladies.
- Oh, thank you.
Thank you very much.
- Thank you very much.
Gosh, I wish we have something to give them.
Here.
Here.
You hold that.
- Hey.
- Here you go.
Ha-ha-ha.
Welcome to Texas.
[BOTH LAUGH.]
[ALL LAUGH.]
BOBBY: Let's go.
Come on.
Clayton, would you like some garlic bread? No, thank you.
Something sure smells good, doesn't it? Oh, Lucy, I'll hold the colander and you, uh, pour.
All right.
- Yes, you are.
- Wait till I catch you.
ELLIE: Okay, now, wa Aah! [ELLIE SCREAMS.]
- Ellie.
- ELLIE: Ow! John Ross, there's a cold pack in the freezer.
Bring it.
Christopher, there's a medical kit out in the hallway in the closet.
Lucy, call Braddock Memorial.
Ask for Dr.
Brock.
Tell him we need him over here right away.
Keep it over the water.
[ELLIE MO ANS.]
[GASPS.]
How did you? How did you remember Dr.
Brock? - I've called him before.
ELLIE: And, uh, the medical kit.
- And, uh, the cold pack.
- I just knew it.
And me.
Clayton.
Clayton, are we? Are we married? Of course we are.
What kind of a question's that? Oh, Clayton.
Ah! Oh, Clay.
Clayton.
Oh! [INTERCOM BUZZES.]
Yeah, Jackie? JACKIE [O VER INTERCOM.]
: There's a Mr.
Wallace here to see you.
Bring him in.
- Can I get you anything? - Uh, no, we're fine.
Hold my calls, please.
Yes, sir.
[DOOR CLOSES.]
What are you doing back in town? I thought you were in Biloxi.
I've got some papers I thought you'd wanna see.
They're from a laboratory in Biloxi.
Miss Cooper didn't have any unusual blood tests done at the hospital.
But when the child was about six months old she did have a test made by this lab.
What's strange is that the test is for a specific genetic disease.
Neurofibromatosis? - That's right.
How'd you know? - What was the result? Negative.
The child seems fine.
Oh, you know what this means? No.
It means that Afton knows that I'm the father.
I want you to notice the size of the advance against profits.
DON: It's very handsome.
Plus, in all advertising, you are guaranteed the same size billing as the stars.
They're overly generous.
[KNOCKING ON DOOR.]
Come in.
- Hi.
- Hi.
I saw yesterday's work.
It's fabulous.
Good.
Sue Ellen Ewing, this is my agent, Jerry Zeigler.
Mrs.
Ewing, this is a great pleasure indeed.
Don speaks of you in glowing terms.
If this is business, I don't wanna interrupt.
Oh, no, no.
No interruption at all.
You of all people should be delighted with what I just brought to Don.
And, uh, what's that? It's just a feature they want me to rewrite and direct.
Just a feature.
With a $30 million budget three past Oscar winners already set, who've already approved Don six months location shooting throughout the Far East and Europe.
I guarantee this boy is bound to get the Oscar for this one.
I see.
- When does it start? JERRY: Yesterday.
No, seriously.
As soon as Don's finished with post-production on this show.
It was a miracle we got all the actors' schedules to work out.
- Any delays and we lose them.
- I haven't agreed to do it yet.
Don, come on, stop kidding.
I mean, this is the ticket to the real big time.
Sounds very impressive.
It's major.
It's very major.
Jerry, would you, uh, ahem wander down to the stage and I'll see you there in a few minutes, huh? Sure, Don.
Mrs.
Ewing, a great pleasure.
I know you're gonna be very happy with your picture.
Thank you.
[SUE ELLEN CLEARS THRO AT.]
Well, what a wonderful opportunity.
- It is if I do it.
- Why wouldn't you? - Script might be a disaster.
- Well, you're going to rewrite it.
Yes.
It all comes to an end.
The picture, us.
The J.
R.
Ewing story, yes.
But why us? Let's see, you'll be gone for a year, maybe more.
There'd be somebody else by then.
For you maybe, not for me.
I don't fall in love that easily.
Nor I.
But a year apart will change everything.
So why apart? You could be with me.
No.
No, I can't leave and you know why.
I know I want you and I want this film, and I don't intend to lose either.
Afton.
Afton.
Oh, hi.
Hi, I need to see Afton.
- She's gone.
CLIFF: You mean she's out? No.
She got a call from Biloxi.
It seems someone has been making inquiries about little Pamela.
- They've left Dallas.
- They've left for where? Oh, come on.
Damn it, where'd she go? Nowhere that you'll ever find them.
McKAY: Okay, I've read it.
So what? BOBBY: So now you know who's behind Brundin.
McKAY: You can believe us if you want to, but not me.
J.
R: I think you believe it all right, just doesn't matter to you.
McKAY: What matters to me is that a bunch of commies are trying to queer this deal.
And there is no way that I'm gonna back out.
BOBBY: Even if it means Arabs are gonna end up owning half the state of Texas? McKAY: What's the difference who owns it? What do you think is gonna change? BOBBY: It's gonna change everything.
We're walking on this deal.
I don't know if it's patriotism or you can call it Texas pride or what you want, but I don't want any foreigners running my state.
- We want you to pull out too.
- You're even bigger fools than I thought.
So nothing we said makes any difference.
Only that I might be able to sell more oil with you gone.
Whatever America used to be, it isn't anymore.
Look at all of the takeovers that are happening.
The big fish swallowing the little fish.
In a few years, there may be half a dozen corporations that control the country or what's left of it.
It's already half-owned by the Japanese and the Arabs and the Europeans.
It's all a question of investment and profit.
Like it or not, J.
R.
, there are no more borders there are no more countries.
There are just dollars and yen, and pounds and marks and investors don't care who owns them or who loses them.
We're making Japanese cars in America.
We're making American cars in Europe and guess where we're making European cars.
In Asia.
There's just one world.
There's just one country, there's just one language.
That language is power.
Do you think that the people who own Westar stock care where their dividends come from? They only care that they get them.
Their only loyalty is to profit and to the man that brings it to them.
That man is going to be me.
So you just sell your soul and the hell with whatever comes after, huh? Maybe that works for you, McKay, but it doesn't for us.
We're gonna kick your ass, McKay.
Maybe not today or tomorrow, but someday.
So when you sit down at that table to sign that agreement with Brundin you just remember what the Ewing brothers told you.
[ELEVATOR BELL RINGS.]
I'm so sad to be leaving here.
Bobby and I have to get back and drum up some work.
- Got a lot of catching up to do.
- Good morning.
You hate leaving as much as I do? Hey, next time we'll stay in Paris at the Raphael Hotel.
- Somebody told me it was very romantic.
- Can we go too? Sure, darling.
Y'all excuse us? I'll explain it.
Hello, Vanessa.
I want you to meet my wife.
Cally, this is Vanessa Beaumont.
Hello.
Hi.
It's nice to meet you I think.
Your husband is is full of surprises.
Yeah? How's that? He must be very proud of you to introduce us.
And I think, very much in love.
You're right on both counts.
You're so fortunate, Cally.
I sure know that.
I wanna thank you for sending us to Moscow.
I knew you well enough to know that you'd listen to them.
I'm gonna go see how Bobby and April are doing.
I guess you two would like to say goodbye to each other.
Bye.
I hope you're very happy.
Thank you.
So we say goodbye again.
- Differently.
- As friends, I hope.
Vanessa, for what it's worth you are everything I ever wanted in a woman.
Until now.
Yes.
And you were the love and the sadness of my life.
Perhaps it's best we just had that brief time together.
In memory, it's always perfect.
For me too.
Goodbye, Vanessa.
Au revoir.
CALLY: Dallas, here we come.
NARRATOR: Next on Dallas: I have something very important to show you.
- Now? - No time like the present.
- Afton's daughter turned out to be my child.
- Is anybody there? - It's addressed to Jock.
- Jock? - Lf you've got something to say, say it.
- You're making a mistake.
I learned how to be devious at the feet of the master.
Who is this? Where's Tommy? - Get the hell out of here.
MAN [O VER PHONE.]
: I know where you are.
Don't forget, I'll be back.