The Murdoch Mysteries (2004) s18e05 Episode Script

1
- (RHYTHMIC PIANO MUSIC)
-
(DRAMATIC PIANO MUSIC)
(CHEERING)
(EPIC PIANO MUSIC)
(APPLAUSE)
(INDISTINCT CHATTER)
What did you think?
- Even better than the last chapter. You?
- Underwhelming.
Uh, they left her hanging
at the edge of a cliff!
Mm. Bit of a cliché, no?
I can't wait to see what happens next.
I'll be re-reading this one all week.
What a brilliant idea
to publish the story
in the papers alongside
the serials in the cinema.
I had that idea ages ago.
But they beat me to the punch,
and now, the sales of
The Gazette have doubled.
Why don't you run your
own in The Sentinel?
The script is already
written. I just need a star.
And I aim to get one. (CHUCKLING)
I was walking down Yonge Street
and this man stopped me in
the middle of the sidewalk
and he said, "You must,
you simply must be in
the moving pictures."
And the next thing you know,
well, you know. Here we are.
I also do all of my own stunts.
Would you like to ask me
about doing my own stunts?
I think we have all that we need.
But there is one other thing.
Any idea what the next serial will be?
I can't comment.
Promised my manager my lips are locked.
Well, it just so happens The Sentinel
is planning to make its own serial.
And I don't mind saying
that the script outshines
any other Action Girl serials.
I don't read scripts
written by non-scenarists.
Ah.
I've written a feature film,
not to mention a best-selling
book and countless news stories.
Ah, serial is a unique format.
Why don't we discuss this over lunch?
- I just don't thi
- Tomeo's?
Tomeo's?
You got a table at Tomeo's?
I happen to have dirt on the maître d'.
We'll take my new automobile.
Oh, Cal. How are the interviews going?
Oh, you know, grist for the
mill, chum for the waters.
- I don't have to tell you.
- I presume you've met Miss Cherry?
Charmed. I assume you'd
like to profile me next?
Actually, we're off to
lunch. Perhaps another time.
(ORCHESTRAL MUSIC)
(INDISTINCT CHATTER)
- (GASPING)
- Miss Newsome!
Uh, could I perhaps bother
you for an autograph?
Oh, huh, yes.
Never a moment's peace.
You're welcome. Bye now.
(CLEARS THROAT)
(CLICKING)
Huh.
Won't start.
How annoying.
It is brand-new, you know.
Oh! Yoo-hoo. Bellman!
Find a mechanic and see if he
can fix this scrap heap, will you?
- Yes, ma'am!
- Hm.
- Shall we walk?
- Let's.
Ah.
(CAR STARTING)
(SCREAMING)
Dear God!
Do you think he's all right?
(THEME MUSIC)
(INDISTINCT CHATTER)
Ladies. What's happened?
Well, I, I tried to start the
ignition, nothing happened.
Then, and then Boom.
And you drove the automobile here
earlier today without incident?
That's right.
So whoever did this
intended for you to be the
victim of the explosion.
Obviously.
Who else here is important
enough to try and kill?
Tell him about chapter two.
Chapter two?
From Agnes.
The Adventures of Agnes?
The sensational serial
of which I am the star?
I'm not familiar. What of it?
How odd. Uh, well, in chapter two,
Agnes - moi - enters into an auto race.
The villain tries to do away with her
by placing an explosive
in the back of the car.
I, of course, find it,
throw it into a lake
and nobody gets hurt,
which I would have done
today if I had known it.
Just don't really expect to get
bombed on your way to Tomeo's.
- Indeed.
- Ruth?
- Hm.
- Are you all right? What happened?
Oh! Someone tried to explode me.
- What?
- Well, it didn't succeed.
Fat chance.
A star like mine doesn't
just up and die that easily.
I knew something like this would happen.
I beg your pardon?
I told you no good can come
from working in the pictures.
(SCREAMS, GROANS)
Henry, what do you mean you knew
something like this would happen?
Were you aware that Ruth was in danger?
No.
I never really approved of her
working in the serials, sir.
She's always spending time
with these unsavoury types
that hang around moving picture sets.
- Unsavoury and debonair.
- Mm.
You saying I'm jealous?
Well, maybe I am.
But forget about the pictures.
Ruth shouldn't be working at all.
It's not how things are done, sir.
I'm the man of the house.
She should be at home with Jordan.
I don't know, Henry.
Julia's always been able to
balance work and home life.
How did that work out for you?
She moved halfway around the world!
Sheesh.
(INDISTINCT CHATTER)
Miss Hart.
What have you?
Is that Cal Whitman?
It is indeed.
Constable Higgins-Newsome seems
to be very threatened by him.
As he should be.
You are familiar with
Mr. Whitman, I take it?
I wish.
(CLEARS THROAT) The bellman.
Right. He died in the blast.
The impact came from behind.
(MYSTERIOUS MUSIC)
No remnants of the bomb.
Oh, what's this?
It's a wire of some sort.
Ah, yes.
Method of detonation?
Indeed. It's attached to the ignition.
That is ingenious.
Whoever did this knew
exactly what they were doing.
Mm.
Detective, that man has been
staring at me since I arrived.
He seems odd.
Excuse me.
What are you doing here?
Just minding my own beeswax.
- Beeswax?
- I was in the area
purchasing a tin of
beeswax down the way.
I'm a cobbler, you see.
I need it for my awls.
In any event, I saw the
explosion and was intrigued.
Did you see anything of interest?
Only Ruth.
She's magnificent, isn't she?
She is something.
So dynamic and brave and brilliant.
This is bad.
Already headline news across
every paper in the city.
Toronto is in love with Ruth Newsome.
I don't get it.
Nor do I, sir.
I don't care much for moving pictures.
Really? I love them.
But I don't care for these new serials.
One little scenario a week.
And then what? I have to wait.
I'd rather watch them all at once.
Perhaps people enjoy
delaying gratification.
And every chapter
leaves you wanting more.
She's hanging on a cliff, but
they won't tell you how it ends.
You have to pay another
nickel the following week
just to find out. It's a swindle.
What I don't understand
is the fanaticism.
Why do people admire actors?
Ah, well, they're
charming, funny, exciting.
They don't actually do
what their characters do.
They just stand in front of a camera.
Detective, are you jealous of actors?
(SCOFFS) I'll have you know I was cast
in a moving picture once.
I didn't care much for it.
A lot of people standing
around complaining.
Hm. You think you deserve
more attention than actors
because you're the one really
stopping the villains out there.
- (SCOFFS) Of course not.
- Of course not.
So what have you found out?
No suspects in custody, as yet.
Judging by the state of the wreckage,
I would say the bomb
was comprised of TNT.
I've been informed that this bombing
may mirror one of the
installments of the serial
in which Ruth Newsome stars.
Well, then. Why would someone watch
a moving picture, then
decide to kill the star?
Perhaps someone at the
moving picture studio
- can tell us something.
- Hm.
(INDISTINCT CHATTER)
You're Detective Murdoch.
- Do we know one another?
- Ah, no.
Your reputation precedes you, sir.
Andrew Deverill-Deverill.
I am Miss Newsome's manager
and the producer of
her cinematic oeuvre.
Oh, you mean Mrs. Higgins-Newsome.
(LAUGHING) Yes, yes.
I'm in the habit of discussing
her with la presse,
for whom we cultivate a certain image.
Have you apprehended the
culprit in this dastardly scheme?
Not yet.
Hm, well, then you may find
these très intéressantes.
Peut-être. De quoi s'agit-il ?
Oui. Letters from viewers of Agnes.
Fanatics, one might say,
but not of the typical ilk.
"You are a sinner.
May the Lord punish you unless
you stop showing these films.
I hope you lead a miserable,
sickness-filled life and
die lonely and alone."
- Who would write such things to an actor?
- I don't know.
But it seems some of our viewers
feel that Ruth Newsome's
gender does not conform
to their image of an appropriate hero.
Perhaps the killer is
amongst their number.
Mm-hmm. What have you, Miss Hart?
Found a piece of shrapnel
partially lodged in his body.
Appears to be a lock
mechanism of some sort.
There's leather here.
It's not very badly burned.
Must have lodged in his body
before the flames could get to it.
I examined the leather
under the microscope.
It appears to be reptilian.
- Alligator?
- Could be.
This is from a suitcase.
(TOY GUN FIRING)
Ya-ha-ha, ya. Ha, ha, ha.
Does Jordan always act out like this?
What do you mean?
- Isadora? Isadora!
- Yes, Miss Newsome?
Jordan! Jordan, ah, calm down, please!
- You can't catch me!
- Get back here!
I believe the bomb was
secured inside of a suitcase.
Does this look familiar?
Of course. That's from
my alligator-skin valise.
Ah. So it belonged to you
and it was in the automobile?
Oh, yes, always.
It was gifted to me by lovely Andrew.
- Ruth's manager.
- We've met.
Andrew advised me to always keep
the essentials close at hand:
Clothing, cosmetics, shoes,
autographed portraits for my "admires".
"Admirerers."
- Admirers.
- Admi Admi
"Admirererrrs."
Ah. So, you were aware that
it was in the automobile.
Ah, when was the last time
you looked inside of it?
This morning.
Ah, yes, I put a new
lipstick into my reticule.
Did you see anything
out of the ordinary?
Like a bomb, dear.
I think I would notice a
bomb, Henry. I'm not a child.
In my last picture, I threw
one into the lake, remember?
How many people were aware
of this valise of yours?
I don't know. But what does it matter?
No one could have put
a bomb into that valise.
- Why not?
- It's always locked.
I have the only key.
And no one has access
to where it's hidden.
Except for Henny Penny.
Ah.
I've gone over all of the letters
provided by Mr. Deverill-Deverill.
And?
- They are disturbing.
- Mm.
One even seems to presage
the bombing itself.
The author most definitely
wants to stop the continuation
- of Miss Newsome's serial.
- Why?
They have a moral objection
to a female heroine.
It's one man?
Or a woman, I suppose.
Ah, all of the letters appear
to be written in the same hand,
but they are from different
postmarks throughout the city.
Uh, what exactly are you doing?
Well, if Ruth Newsome's
suitcase was locked
and the key never left her possession,
then it's safe to assume
that someone picked the lock.
I'm trying to establish how
long that would actually take.
Hm. To establish how long the
culprit needed to plant the bomb.
Yes. At first, I believed
that the wiring to the ignition
was a complex mechanism.
But I'm now of the opinion
that it was quite rudimentary.
As is this lock.
It would've taken no time at all.
What's this?
Appears to be some sticky residue
inside of the lock cylinder.
- What is it?
- Beeswax.
Mr. Quint.
We'd like a word.
I don't understand.
You think I wanted to hurt Ruth?
You were seen near the hotel
both before and after the detonation.
But more importantly, we know you
picked the lock on her suitcase.
How did you know that?
We found beeswax inside
of the lock mechanism.
Perhaps from an awl?
But what does that have
to do with the bomb?
- You put it in the case.
- No.
No, I did pick the lock last week,
but I never put any bomb inside.
Then why did you do it?
I just wanted something of hers.
I adore her so.
I know everyone does,
but I'm so very alone.
No one understands me and
I know no one ever will, but
sometimes I dream that someone,
someone wonderful, might love me.
You stole something from her.
I just wanted to feel close to her.
I'm sorry.
- (INDISTINCT CHATTER)
- (SIGHING)
So, what did you think?
I liked it.
Oh! Good.
It's just that it's not
really a Ruth Newsome, is it?
The character's tall,
blonde and fearless.
- You'd be perfect.
- Oh, of course,
I would do my best to
bring the role to life,
but for it to really be
a Ruth Newsome picture,
it needs a few changes.
Uh, teensy things.
Such as?
Well, here on page one. What is this?
We meet her and then she
just doesn't do anything.
The characters need to be introduced.
Well, I just Needs
more depth, you know?
What if Oh!
I save the prime minister from being
eaten by a lion. Something like that.
- On page one?
- Well, not that, obviously.
But something like that.
Do you know what I mean?
It's just sort of food for thought.
But, overall, I um, I I loved it.
- Monsieur !
- Yes, ma'am?
What do you have in the way of gin?
We have a wonderful selection.
I can bring you the gin menu.
Oh, ah, no. Never mind. Champagne!
Ruth Higgins-Newsome
stated that she did have
a pair of shoes go missing last week.
So that part of Mr. Quint's
story appears to be true.
That doesn't mean he
didn't plant the bomb.
If he picked the lock once,
he could've done it again.
Yes, but why kill someone that
he holds in such high esteem?
Love can turn to obsession
and obsession to violence.
True. But something about this case
just doesn't sit right with me.
He seems genuinely
concerned for her well-being
and his handwriting is not
a match for those letters.
Hardly exculpatory.
If you don't think the
cobbler did it, then who?
Perhaps the man who gave
her the suitcase in question.
Apparently, he was lunching
with an ingenue at the time
and she believes that she
could be the next Agnes.
Hm. To have a new star,
he would have to get rid of the old one.
Expendable? Miss Newsome is a star, man.
Her success is my success.
Then why seek out a replacement?
A star that burns as brightly
as Ruth Newsome cannot be tamed.
I must anticipate the inevitable:
that soon she will leave us behind
for the bright lights of Los Angeles.
Hollywood, they call it. The big time.
We believe the bomb was
placed inside of a suitcase
that you gifted to Mrs. Higgins-Newsome.
- It was?
- Mm.
And you advised her to keep
it on hand at all times.
Yes, what of it?
Well, whoever placed the
bomb was aware of the case
and that it would be consistently
in the proximity of
Mrs. Higgins-Newsome.
Everybody in our little
troupe knew about the case.
It was a very unique piece I
purchased for her in New York.
She showed it off to all around her.
Ah, one of my other clients
was terribly jealous.
Oh? Who? Oh, just the
man whose stalled career
is the bane of my existence.
Ruth's costar, Cal Whitman.
- (LAUGHING)
- Oh, Henry,
- I'm going to the hair salon.
- All right. I'll go with you.
No, there's really no need.
Uh, someone just tried to kill
you and they're still out there.
Are you forgetting that
your own brother died
while escaping my care to get a haircut?
- This is completely different.
- How?
I'm not getting a haircut.
Uh, you're not going. I forbid it.
You forbid it?
Yes, I forbid it.
If it were up to you, I
would never leave this house.
You, you want me to be a
prisoner in my own home!
See, dear, please Oh, Jordan.
Jordan, no!
Oh, pish.
I merely pretended to be
jealous of that hideous valise.
I wouldn't be caught dead with
that reptilian monstrosity.
So why pretend?
I'm an actor.
An actor's job is to give
gifts to all around him.
Every scene, every action is a gift.
I hold Agnes in my arms
and with my performance
I give the audience the gift of love.
Real life is not a moving
picture, Mr. Whitman.
It is not different from one.
I see Ruth with a new valise.
I pretend to covet it
and with my performance
I give her the gift of pride.
So you lie to her to
make her feel better.
You misunderstand what
it is to be an actor.
It is a part of our vocation.
Take Ruth. She claims in the press
that she performs her own stunts
because her public wants
to believe that to be true.
In the hands of an
actor, a lie is not a lie.
- It's a gift.
- Precisely.
Mrs. Higgins-Newsome does
not perform her own stunts?
She's a woman, Detective.
Don't be ridiculous.
That's a big part of her persona.
At least, that's how it's
reported in the newspapers.
And the man who performs them
for her has his feathers ruffled
each and every time a
story like that appears.
She takes all the credit
and he is left to suffer
IN THE WORST OF ALL PLACES: obscurity.
(SNORING)
Henry, I'm going to the hair salon.
Bye.
(SNORING)
(TONGUE CLICKING)
(BLEATING)
Hello?
What can I do you for?
You're the man who performs
all of Ruth Newsome's stunts
- for the screen?
- That's right. Hooter McCoy.
Detective William Murdoch,
Toronto Constabulary.
You'll have to forgive me,
but you don't strike
much of a resemblance.
Ah! We all look the same
in a dress and a wig.
Is that so?
Folks who watch these serials
ain't exactly the keenest
spurs on the ranch.
Your colleagues who worked
on The Adventures of Agnes
with you have stated
that you don't much care
for Mrs. Higgins-Newsome and that, uh,
you resent her for taking credit
for all of your performances.
Don't much care for a liar.
And, well,
it's hard to respect someone who
has no respect to offer in return.
Ruth Newsome doesn't respect you?
(CHUCKLING)
No.
We made eighteen
chapters of that serial,
worked on every one together.
I don't believe she even
knows my Christian name.
Truth is, nobody that worked
on that picture show liked her.
And you feel you can speak
for everyone on the set?
'Course I can. Ruth Newsome
keeps food on the table.
We all know that we
could make those serials
easier without the stars,
but then who would watch 'em?
Nobody's gonna pay a nickel
to see an old chunk of coal
like yours truly hanging
off the side of a cliff.
Uh, Mr. McCoy, did you know
that the bomb that was used
in the attempt on Mrs. Newsome's life
was comprised of TNT and
a long metal ignition wire?
Can't say I was.
It was a device exactly like the
one I see there on your shelf.
Mr. McCoy, you are under arrest.
So, they decided they
wanted to take a holiday,
but they couldn't agree on where.
So, my brother, dear
heart, he spins a globe,
closes his eyes, points his finger
and do you know where it landed?
Some place in Africa, but that
seemed terribly gloomy, so
You know, they spun it again!
This time it landed Southampton,
- which I had never heard of before.
- (SNORING)
(DRAMATIC MUSIC)
Ruth?
Ruth?
Isadora, I've got to go.
Look out for Jordan!
Anyway, he and Lucinda
have been there for a month.
- (BODY THUDDING)
- Can't say that I miss them.
Least not her, anyway. Did you know,
she grew up next door to us,
and one summer, her brother
threw a brick over a shrub,
hit her square in the back of the head?
She couldn't do anything but cluck
like a chicken for a whole year.
That's what I heard, anyway.
But I don't think someone recovers
from something like that, do you?
Celeste?
Oh! Oh, my.
Oh!
Oh, oh.
Uh Oh, my.
Oh! Oh.
Oh. Oh my God.
Oh my God, oh my God, oh my God.
(GASPING)
Just when you need help!
(GASPING)
Okay
(WHIMPERING)
(GRUNTING)
(INDISTINCT CHATTER)
Help!
- That's Ruth Newsome!
- Help!
Could somebody help, please?!
I bet she's making a moving picture.
(GROANS)
(DRAMATIC MUSIC)
(CHEERING)
Ruth! Excuse me, excuse
me, please, please, please.
- Thank you.
- Ruth!
Oh my God. What happened? I
told you to stay in the house!
Henry Higgins-Newsome,
I just saved the lives
of five people and
that's how you greet me?
If you would just listen to me
Say one more word, I'm gonna scream.
- Ruth
- (SCREAMING)
Now if you'll excuse me,
I need to tend to these poor women.
Oh, you're fine.
- All right.
- (KNOCKING ON DOOR)
The employees and customers of the salon
are all recovering in hospital.
It seems they owe their
lives to Ruth Newsome.
Hm. So, she's earned
her headlines after all?
She has.
The gas used in the attack
was a simple combination
of bleach and ammonia, but
it could have killed them all.
- How was it released?
- A device was placed
inside of the air vent of the salon.
So, whoever did this must
have seen Ruth Newsome
enter the salon and
then deployed the gas.
So it would seem.
Sir, this also mirrors a scene
from The Adventures of Agnes.
Of course!
The gas in the mayor's
office in chapter six.
So you do watch them.
We all have our vices, Detective.
One could be a coincidence,
but both attempts mirroring the serial?
He seems intent on killing Ruth
using one of the methods
depicted in her moving pictures.
Oh, and, uh, he's sent another letter.
- Same handwriting?
- Indeed.
It implies that there
will be another attempt
unless The Adventures of Agnes
is completely removed from the cinemas.
And yet our prime
suspect has been sitting
in our cells all the while.
Hm.
We know you could not have
executed the gas attack
on Ruth Newsome earlier this afternoon.
But there is still compelling
evidence that you built the bomb
that caused the explosion
she narrowly escaped.
I didn't build this to hurt
Ruth Newsome, nor anybody else.
Any time a picture show
wants a fire, a conflagration,
explosion, they come to Hooter.
You built this for a moving picture?
Naturally. And I built plenty like it.
We used one in Agnes in chapter two.
And I will say I showed every soul
working on that picture
show exactly how it worked.
Just because you showed
people how it worked,
doesn't mean someone had
the expertise to recreate it.
- Or the supplies to do so.
- True enough.
Thing is,
I had some items stolen
from myself last week,
including a device
just like this one here.
- Believe his story?
- Not particularly.
But he didn't release the gas
and even if he is involved,
someone trying to kill Ruth
Newsome is still out there.
And you'll find him.
But you'll have to do it
while taking on another job.
- What?
- Guarding Ruth Newsome.
'Round the clock until
the killer is caught.
- But, sir
- No objections.
Her safety is our top priority.
We'll look like fools if Toronto's
sweetheart dies on our watch.
Oh!
Detective. I understand
you're to be my bodyguard.
- Apparently so.
- Hm, well,
can't have you guarding my
body in this, uh, dreary place.
Come.
(KNOCKING)
Your house is all clear. Good night.
Where are you going?
Uh, to review some of
these witness statements
and afterward to sleep.
Um Oh, I, I was curious:
Are you at all concerned
that Mr. Deverill-Deverill
is searching for a new
starlet to put in his serials?
Of course not. Andrew adores me.
Anyway, he couldn't replace
me even if he wanted to.
My contract's ironclad.
Oh, Henry, you won't be needed.
The detective'll guard me tonight.
- Ruru?
- You can sleep in the guest room.
Close the door, would you?
Sir.
Henry, I don't want to be involved.
Obviously, I'll be spending
the night on the chaise longue.
But
Uh, Ruru?
(RHYTHMIC MUSIC)
(LAUGHING)
(INDISTINCT CHATTER)
Ah, Louise. Look at this.
It's the serial I wrote Ruth Newsome.
It's scribbled with a thousand comments.
How can an actress think she
knows more about writing than I do?
She may know more about serials.
How I've written
stories in installments.
Not to mention a book and a film.
A serial's barely even
writing compared to those.
It says here Eleanor
is a brilliant reporter
with a sharp tongue
and effortless beauty?
Yes.
Are you perhaps writing yourself?
Of course not.
So either I change my story,
which is brilliant, to suit her,
or she refuses to play in my serial,
in which case my brilliant
script never gets made.
Can't you just change the
character and keep the story?
They're one and the same.
Piece of advice.
About once a month, the bass player
comes in with new ideas for the band.
He and the piano player argue for days;
the band nearly breaks up.
They call it creative differences.
- How do they resolve them?
- It's simple.
The bass player does what
the piano player says.
People come to see the piano;
they don't come to see the bass.
They come to see the piano.
So I need to convince
Ruth to do what I say.
Louise, you are not the piano player.
Ruth is.
But I came up with everything.
That doesn't matter.
You got it.
(INDISTINCT CHATTER)
- (GLASS BREAKING)
- (GASPING)
What was that?
I have no idea.
(SUSPENSEFUL MUSIC)
Thank you.
- Henry?
- Sir!
Someone was trying to
break into the house.
- Oh!
- But, never fear.
I wrestled the knife away from
him and I've scared him off.
- Oh!
- Did you see who it was?
- He was wearing a mask.
- Oh, Henry.
Henry, Henry, Henry, you are so brave!
You know that all I want in this life
is for you to be safe, my
darling, dimpled dumpling.
(CRYING)
Henry, may I have a word?
It's all right. (SIGHING)
Is there something you'd
like to tell me, Henry?
Um no?
The broken glass landed
outside of the house,
which tells me you broke it from inside.
And that knife appears to be
from your set in the kitchen.
I swear I was going to tell you, sir.
I would never have let you pursue
all this as actual evidence.
I-I swear.
Even if I believed you, it
wouldn't make things any better.
What were you thinking?
I had to do something,
sir, don't you see?
I had to impress Ruth somehow.
- I feel like I'm losing her.
- Oh!
I'm sure that's not true.
It is true, sir.
It all started when that
producer discovered her.
I don't actually want her to
stay in the house all the time.
I love her pictures!
I love her.
But ever since she's
been working all the time,
she doesn't need me
for anything anymore.
Please don't tell her.
Henry, isn't this our knife?
Um
No?
Why does Henry have a suitcase?
I threw them out.
Where are we going?
To the station house.
I've asked Mr.
Deverill-Deverill to come in
- for further questioning.
- I scarcely see the point.
Ooh.
This isn't the way to the station house.
Driver!
- Driver!
- (WHIPPING)
- Oh!
- Oh!
I'm not going anywhere.
I live here!
(MUFFLED SCREAMING)
Isadora!
Isadora, call the police!
It's him.
(GRUNTING)
The doors are locked.
What do you, what do
you mean they're locked?
We're trapped.
What do you mean we're trapped?
You're, you're, you're the great
detective so just un-trap us!
Uh
It must be Deverill-Deverill.
He subdued the carriage driver,
and he intends to kill you.
Lord. Oh, my Lord.
Uh (BREATHING SHAKILY)
eally, Detective? Now is not the time.
Detective?
Ah! Ooh.
That won't work.
Right.
Oh, oh. Maybe now is the time.
- Purse.
- Ah.
Oh! Ah-ha.
(GASPING)
You, uh, you know how
to handle yourself.
All right.
Are you ready?
Oh, wh-wh-what do we, what do we do now?
We jump.
I have a confession to make.
- I don't actually do my own stunts.
- I know.
But now's an excellent time to start.
- Are you ready?
- Mm-hmm.
One, two, three.
(GRUNTING)
- Sorry.
- (GRUNTING)
(SOMBRE MUSIC)
Sir!
Where's Ruth?
Henry, we need to catch that carriage
before Deverill kills Ruth.
Ah, but sir, the killer
is not Deverill-Deverill.
Look.
It's Whitman.
I found the carriage driver tied up.
Whitman must have dropped it, sir.
- I've got to find Ruth.
- Wait, wait, wait! If it's Whitman
- Yes, that, that all makes sense.
- What?
The automobile bomb, the gas attack
In the moving pictures,
both were instances where
Agnes herself was not in danger.
- No, Whitman was in danger.
- And Agnes saved him.
Those letters? They were written by him.
His career has stalled
and he's embittered
because she's become the hero
and he is the helpless victim.
So where is he taking her now?
Let me think.
He wants to make her death meaningful.
Um, what are some other ways
that Agnes saved him in the films?
Ah, from pirates, from
a mountain lion, sir.
From her own evil twin,
sir. That was a great one.
Railway tracks.
I know exactly where they are.
- Give me the bicycle.
- What?
- Why?
- Henry,
he took the carriage that way.
It takes exactly ten minutes to
the Lakeshore line by carriage,
even longer by bicycle.
But if you run straight south from here,
you'll be there in
five minutes. I can't.
All right, sir.
Ah, stop it!
- What do you think you're doing?!
- Oh, quiet down, woman!
- Do not tell me what to do!
- No?
I am the one who tells
you exactly what to do.
You have no say in the matter.
And I've decided that
you are going to die.
Wh-wh-why are you doing this?
- Cal, you adore me.
- Oh, I detest you, Ruth Newsome.
You make a fool of me in every
chapter of that damned serial.
- What? In the serial?
- Yes, the serial.
The serial that was meant to
be The Adventures of Arthur
starring Cal Whitman
until you stole it from me.
Oh, I didn't do anything.
I wrote those letters.
I thought it would talk
some sense into you.
It's not a woman's place
to star in the pictures,
much less in a role meant for a man.
But no! Your insidious
ambition could not be curtailed.
Cal, please, just untie me?
No longer will I sit helplessly
by whilst a woman saves me.
Now I am in control of my own fate.
And yours.
Please, just untie me.
Please, Cal!
(PANTING)
Help!
- Help me!
- Ruth!
- Henry!
- Ruth!
Ruth, I'm coming!
- (GUNSHOT)
- (SCREAMING)
No, no!
- Henry!
- Time to join your insufferable wife.
(DRAMATIC MUSIC)
- Henry, you came for me.
- Well, of course.
- Now we're both going to die.
- Ruth, we are not going to die.
Listen to me: There is
a knife in my pocket.
- You just have to reach for it.
- I can't see anything.
Feel for it. It's right by your hands.
No, Henry, I can't! I'm, I'm
- I'm not a real heroine.
- Ah, I don't believe that.
You're a hero to me.
You're brave and you're courageous
and I've seen you accomplish
everything you ever set your mind to.
You're incredible, Ruth.
So incredible that you
don't even need me anymore.
Oh my God! Oh God!
Hurry! Get the knife!
(PANTING)
(WHISTLING)
Stop, police!
(GRUNTING)
Sorry, Detective.
This is my story.
(GRUNTING)
Unfortunately, Mr. Whitman,
your story will not be
ending the way you'd hoped.
Just a little more. You can do this!
Oh, Henry, Henry, we're going to die.
No, no, no! Focus on the
knife. It's almost there!
All right. Ah! Oh, yes!
- (TRAIN HOOTING)
- No, Henry, Henry, Henry,
- you need to save yourself! Please.
- I'm not leaving you!
- Please get off the track!
- No!
- (SCREAMING)
- (GRUNTING)
(PANTING)
Oh, my God! It wasn't
even going to hit us!
Henry, you saved me.
Well, I would have, I suppose.
What was that all nonsense
about me not needing you?
Of course I need you. You're
my hero, Henry Higgins.
- Ruth.
- Oh!
Congratulations,
Detective. You got your man.
Yes. Although actually it
was Constable Higgins-Newsome
who discovered the true
identity of the killer.
Oh! So, you didn't solve the case.
And you didn't successfully guard
Toronto's sweetheart, either.
- She's an onerous charge, sir.
- Mm.
That train was scheduled to run her over
and no one seems to know how
the train ended up going
down the other track.
Divine intervention, perhaps.
Or someone was familiar
with that stretch of track,
knew the schedule of the train
and deduced the location of
the switch which, when thrown,
would send the train off its course.
Anything is possible, I suppose.
- Step right there.
- (GRUNTING)
I'm all right. I'm all right.
- (APPLAUSE)
- (LAUGHING)
Thank you, everyone. Thank you.
I think they're applauding me.
- Hm?
- Never mind. It's all right.
Where exactly were you?
What kind of a bodyguard
goes missing in action
at the most important moment?
I could have been killed.
Thankfully, Henry was there to save me.
Well, not everyone can be the hero.
(LAUGHING)
- All right.
- Oh.
Oh!
(LAUGHING)
You were right.
- About everything.
- What's this?
The script. For my serial.
I've completely rewritten
it. You're going to love it.
Oh. I don't want to
tell that story anymore.
- Why not?
- I want a new story,
one in which I have a
husband who's almost,
almost, as heroic as I am.
Aw, really?
You should tell our story.
The dangerous dealings of a dynamic duo.
Husband and wife, constable and heroine.
I would even share top billing.
- With me?
- Oh, well, I mean,
it would be you, Henry, but
it wouldn't actually be you.
You're not an actor.
Write this down: Chapter one,
we open on the North Pole.
Agnes is endeavouring to be the
first woman to conquer the Arctic.
She befriends a group of
penguins who are guiding her
You know that penguins don't
actually live in the Arctic.
Sh, sh, sh, shush. Just listen.
- Whose story is this anyway?
- (CONTINUES INDISTINCTLY)
(THEME MUSIC)